ESNS26 Leads To Summer Festival Bookings - 256 Shows Confirmed For 115 Artists Across 73 Festivals
European Talent Exchange presents the summer results of 2026, with 256 shows confirmed for 115 European artists from 32 countries at 73 partner festivals across 28 countries. These summer bookings highlight the continued international momentum of Europe’s most promising emerging artists.
Artists showcased at Eurosonic Noorderslag (ESNS) automatically join European Talent Exchange (Exchange), one of the longest-running and most successful platforms of the European Union’s Creative Europe Programme. Coordinated by ESNS, the programme connects emerging artists with a network of around 130 partner festivals across Europe and beyond.
“ESNS has meant a great deal to our career. Suddenly, we’re appearing on posters for top festivals across Europe and having our busiest year ever. The hardest thing for an emerging artist is getting people to listen to your music just once. One listen can be enough to create a lifelong connection with your audience. Thanks to European Talent Exchange, I can offer that first listen to people all over Europe.”- Jelle Denturck (Dressed Like Boys)
ESNS artists continue to build European momentum this summer
Following their breakthrough at ESNS26, artists are now firmly establishing themselves on the European festival circuit. The summer bookings of 2026 show how quickly emerging talent turns showcase performances into international touring opportunities. From Groningen to stages across Europe, Exchange continues to accelerate cross-border careers and increase the visibility of new European music. Among the artists translating their ESNS momentum into confirmed summer festival bookings across Europe are:
Madra Salach (Ireland) has confirmed 16 festival bookings, bringing their distinctive sound to stages across Europe, including festivals such as Beaches Brew (Italy), Haldern Pop Festival (Germany), Pinkpop (The Netherlands), and Roskilde Festival (Denmark), further expanding their growing international presence.
Joshua Idehen (Sweden) has secured 13 festival bookings, with performances at Colours of Ostrava (CZ), OFF Festival Katowice (Poland) and Das Fest (Germany) showcasing his genre-blurring and lyrically powerful live show.
Dove Ellis (Ireland) will play at 10 festivals, such as MS Dockville (Germany), Lowlands (The Netherlands) and Poplar Festival (Italy), bringing his distinctive blend of electronic pop and experimental soundscapes to wider audiences.
Florence Road (Ireland) has confirmed 10 bookings this year, bringing their vibrant, emotionally charged indie sound to festivals such as Primavera Sound (Spain), Rock Werchter (Belgium), Southside Festival (Germany) and Rock en Seine (France), continuing their rapid rise across major European stages.
Dressed Like Boys (Belgium) has confirmed 8 festival performances this year, including appearances at Into The Great Wide Open (The Netherlands), Immergut Festival (Germany) and Sziget (Hungary), further strengthening their position on the European circuit.
GANS (England, UK) was booked at 8 festival performances, bringing their raw, guitar-driven and high-energy sound to stages including Electric Castle (Romania), Frequency Festival (Austria), Les Eurockéennes de Belfort (France) and Ypsigrock Festival (Italy).
Other artists continuing to build strong international momentum this summer include Max Baby (France, 7 bookings), Camille Yembe (Belgium, 2 bookings), Man/Woman/Chainsaw (England, 6 bookings), Min Taka (Netherlands, 5 bookings), Hania Derej (Poland, 2 bookings), Elín Hall (Iceland, 4 bookings), GAIA BANFI (Italy, 4 bookings), FIDJU KITXORA (Portugal, 3 bookings), Mechatok (Germany, 3 bookings) and Jules War (Hungary, 2 bookings), further showcasing the diversity and growing international appeal of emerging European talent. The full and continuously updated list of confirmed shows can be found on Radar.
“We believe festivals are about discovering fresh new music and giving emerging artists the chance to connect with new audiences. Especially in the age of technology and AI, it is crucial to experience these artists live at the beginning of their careers. European Talent Exchange and Eurosonic Noorderslag help us identify some of the most promising acts and see them perform in person.” - Filip Košťálek, Artistic Director of Colours of Ostrava
Festivals backing Europe’s next wave of talent
Across Europe, festivals continue to embrace emerging ESNS talent, confirming artists for their 2026 editions. Confirmations include Rock Werchter (Belgium, 7 bookings), Best Kept Secret (Netherlands, 6 bookings), Primavera Sound (Spain, 3 bookings), OFF Festival Katowice (Poland, 3 bookings), OpenAir St. Gallen (Switzerland, 3 bookings), and Electric Castle (Romania, 4 bookings), underscoring European festivals’ confidence in emerging talent and the role of Exchange in shaping the next generation of headliners. The full overview is available on ESNS Radar.
A collaborative force driving European artists forward
European Talent Exchange continues to thrive through close collaboration with YOUROPE, the European Broadcasting Union (EBU), 31 media partners, 24 members and six associated partners, including 26 export offices. Artists from the United Kingdom are supported by PRS Foundation, while Swiss artists are included with support from Pro Helvetia and Swiss Music Export. With a network of around 130 partner festivals, the programme remains one of the strongest structural support systems for emerging European artists building international visibility.
About ESNS
ESNS is an independent platform dedicated to showcasing and accelerating European music talent worldwide. Its annual festival and conference will take place from 13-16 January 2027 in Groningen, the Netherlands. ESNS27 will shine a spotlight on Ireland as its official focus country, highlighting the diversity and strength of emerging Irish music talent and the country’s forward-thinking support infrastructure for artists. Hotel & Delegate Pass deals and Delegate Passes at a Medium Rate are now on sale. Get yours now to secure the best available deal.
Contact
Nikki McNeill | Global Publicity nikki@globalpublicity.co.uk
Electronic Music Icons ORBITAL Join Brighton Music Conference To Complete 2026 Line Up
-Over 240 industry-leading professionals taking part in panels and workshops
-Expanded programme across 4 theatres offering more value for delegates
-Keynote interviews with ORBITAL, Dave Seaman and Greg Wilson
-Multiple networking events at Brighton’s best loved seafront venues
Brighton Music Conference (BMC), the UK’s leading electronic music and networking event confirm electronic music icons ORBITAL for keynote interview completing the line up for its 2026 edition, alongside top local and international artists including Andy Barlow (Lamb), Alan Fitzpatrick, Anja Schneider, Angie Brown, Arielle Free, Beardyman, Brandon Block,, Coco Cole, Dave Seaman, Denis Sulta, Dykes on Decks, Greg Wilson, Irvine Welsh, Jemma Bolt (DISCOLISCIOUS), Jess Bays, JFB, Jumpin Jack Frost, Just Her, Kenny Dope (Masters At Work), Lisa Maffia, Madame Electrifie, Saytek, Solah, The Shapeshifters, Tom Middleton, Wideboys, Wildblood & Queenie and many more.
Taking place from 20th to 23rd May 2026, the award-winning event will once again take over some of Brighton’s best-loved seafront venues set against the backdrop of Brighton beach and the iconic pier, with a packed programme of insightful talks, workshops and networking events.
BMC, is the place to keep up to date with the latest industry trends and best practices, build and grow your network, make new connections, and immerse yourself in all things related to the electronic music scene and culture. Taking place across 4 theatres, BMC has a packed programme of insightful talks, workshops with plenty of practical tips and takeaways.
Theatre 1 - Wellbeing programme
The expanded well-being programme will have a dedicated space to discuss important topics such as Burnout, Imposter Syndrome, Neurodiversity, Mental Health, Sobriety, Sustainability, Suicide Prevention, Mixing Kids & Music and much more with Yoga and Soundbaths to start each day. Supported by Anderson Acoustics, the well-being theatre will be hosted at one of Brighton’s best-loved seafront venues the Tempest with speakers including; Angie Brown, Anne Savage, Brandon Block, Charlie Forbes (A Greener Future), Denis Sulta, Finlay Johnson (AFEM), Jono Heale (ACS), Ines Martinez (Four Venues), Jumpin Jack Frost, Just Her (Crosstown Rebels/LNOE), Laura Hine (Tinnitus UK), Martha Cleary (GLOW), Phil Hartnoll (ORBITAL), Sally Freeman (Eat Sleep Rave Relax), Silvia Montello (Voicebox Consulting), Tom Middleton, Werkha (Saturama) and Wildblood & Queenie.
Theatre 2 - Workshops with pointblank music school
The workshop theatre returns in collaboration with pointblank at Players, featuring in depth educational workshops covering practical topics such as Social Media, Track Production, Vocal Production, DJ Tips & Tricks, Immersive Audio with Dolby Atmos, Virtual Reality and more. Interactive sessions will be led by Beardyman, Grahame Farmer, Huxley, Madison True (Vinyl Bitch / MADDØG), Ramin Rezaie, Mr Bristow, Saytek, Ski Oakenfull, AlphaTheta, Kiffix, Loopmaters and Technics to name a few.
Theatre 3 - DJ / Producer programme
The DJ producer theatre at Horizon, will cover a wide range of topics including A&R, Artist Development, Vocals, Song Writing Camps, Representation, DIY, Radio, Podcasts and a Keynote Interviews with ORBITAL and Dave Seaman (Brothers in Rhythm / Selador). Plus the ever-popular DJ, Producer and Promoter Q&A’s and celebrating milestones with special sessions to celebrate 30 Years Of Hospital Records and 50 years of Greg Wilson. Speakers include; Abigail Bailey, Andy Barlow (Lamb), Anja Schneider, Arielle Free (BBC Radio 1), Ben Gill (Block Events), Booker T, Chris Goss (Hospital Records), Coco Cole, Emily Dust, Irvine Welsh, Greg Wilson, Jemma Bolt (DISCOLISCIOUS), Jess Bays (Capital Dance), Lisa Maffia, Madame Electrifie, Marvin Aloys (Addicted Room/Sound Escape), Matt Jam Lamont, Mickey Jukes (1BTN), Molly Johnson (Believe/Sentric), Rhys Baker (Tru Thoughts), Scott Diaz, Seamus Haji (Big Love), Seb Fowkes (Concorde2), The Shapeshifters and Yulia Niko (Beatport Music Curator).
Theatre 4 - Industry programme in collaboration with Skiddle
Theatre 4, in collaboration with Skiddle, will take place at Carousels, covering music industry and business topics such as Label Contracts, Publishing Deals, Sync, Music Rights, PR, Label Q&A with Armada, Ticketing, AI, NTIA Electronic Music Report the Annual Beatport Hour and much more. Industry professionals sharing their knowledge across the two days include; Alan Fitzpatrick (DJ & Producer), Alex Branson (Beatport), Aly Gillani (Bandcamp), Ashley Howard (PRS for Music), Clara Suess (Suess Media), Dean Marsh (Creative Law), Duncan King (Skiddle), Dujon Fairweather (Listen Up), Emma Cordwell (Downtown), Emile Birks (Beatport), Gemma Farrington (Sentric), Jason Ellis (Armada Music), Jules O’Riordan AKA Judge Jules, Lee Morrison (rightsHUB), Michael Kill (NTIA), Millie Ellenger (Frame Artists), Rebecca Cribb (ITV/Love Island), Pete Jordan (LWE/AMAAD), Robert Luis (Tru Thoughts), Sam Spencer (Broadwick Live), Shamus Damani (Defected), Trina Smith (Sourcery Collective) and Vicky Taylor (Truelove).
Networking - Build and Grow Your Network
Networking is a big part of the BMC ethos and there are plenty of opportunities to meet industry colleagues and connect with like-minded people at the numerous networking parties at some of Brighton’s best-loved venues. Whether you’re an artist, promoter, agent or manager - this is where the industry comes together. Build real relationships that can open doors for your career.
The BMC official welcome party will kick things off at The Tempest on Wednesday 20th May with DJ’s Banxi, Chad Jackson, Pete Bones, Ralf Kollmann and Ridney. On Thursday 21st May the shesaid.so Brighton team will host their annual breakfast club networking event at the Lazy Finn with the opportunity to network and get a professional headshot. The infamous Hotel Pelirocco will host the PRS Networking event, with Elemental Music and R-Trybe at Ohso and Jack Said What taking over The Tempest. On Friday 22nd May Grahame Farmer will host his popular Blueprint Breakfast at the Lazy Finn, NTIA will host a mixer at the Tempest and the official BMC After Party at Volks. View all events here: https://www.brightonmusicconference.co.uk/bmc26-mixers-events/
All confirmed artists and speakers (In alphabetical order):
Ad Savage (Sync Savage), Abbie Humphries (Tileyard), Abi Flynn, Abi Lemon (The Brilliance Effect), Abigail Bailey, Alan Fitzpatrick, Alex Berry & Lebby (Dykes on Decks), Alex Branson (Beatport), Aly Gillani (Bandcamp), Amy Jayne (LabelWorx), Andthen, Andrea Borgato, Andy Barlow (Lamb), Andy Melchior (Genotone Ltd / Massive Attack / Björk's producer), Angie Brown, Anja Schneider, Anna Johnson (Climate Transition Strategist), Anne Savage (DJ, PhD Researcher), Antonia Lucas, Antonia Lucas (Love Vocals & SoundMind), Arielle Free (BBC Radio 1), Ashley Howard (PRS for Music), Ashton Hawthorne-Somers, Bakkis, BAKKIS, Banxi, Becky Wixon, Ben Gill (Block Events), Ben Godwin, Ben Malone (Armada Music), Ben Price (PRS), Bex White (Yoga teacher), Bizzle Osikoya (The Plug), Bobbie Johnson, Bobby Harvey (Armada / Skint / Universal-Island), Booker T, Brandon Block, Camille Forey (Copyright Manager at Warp Publishing), Carl Loben (DJ Mag), Charlie Forbes (A Greener Future), Carly Sharman (Skiddle), Chad Jackson, Charlotte De Vega (Material Music), Cherub Sanson (Sound Healer), Chris Bailey (The Boy in the Corner), Chris Carey (FFWD), Chris Goss (Hospital Records), Chris Hampshire (Recoverworld Label Group), Clara Suess (Suess Media), Christabel Heasman-Cossins, Ceylan Göksel (Creative Publishing / Songs In The Key Of Knife / Hospital Records), Damian Harris (Vicious Charm), Danny J Lewis, Dave Seaman (Selador / Brothers in Rhythm), Dean Marsh (Creative Law), DEED, Deep Fiktion, Denis Sulta, Denise Devonish, DJ MJ (Back2House Events), DJ Shanaz, Dr. Fabrice Bardy (Hearing neuroscientist), Dr Fiona Miller, Dr Rachel Gow, RNutr, FHEA, Dujon Fairweather (Listen Up), Duncan King (Skiddle), Eddie Craig (Wideboys), Ellie Talebian (DJ / Radio Presenter), Emile Birks (Beatport), Emily Dust (x Radio 1 / 1Xtra producer), Emma Cordwell (Downtown), Dr Emma Greenland (Anderson Acoustics), Eva Lazarus, Eve Horne (We Are The Unheard CIC), Fancyshews!, Finlay Johnson (AFEM), Gemma Farrington (Sentric), Gemma Fox (Fox Music Consultancy), General Legsta, Grace George (Beatport), Grahame Farmer, Graham Sahara (Sahara Music Group/Electronic Nature), Greg Wilson, Hannah Deeble (Arts Council), Hema Patel (Reset & Rediscover), Huxley, Ines Martinez (Four Venues), Irvine Welsh, Jack Lawrenson (Xelon Digital), Jamaica Rose (Armada Music), James Lee (Electrowerkz / Club Suzies), Jamie Unknown (Armada Music), Jasmine Reeder (CTRLFRK), Jason Ellis (Armada Music), Jemma Bolt (DISCOLISCIOUS), Jenny Jen, Jerome Prud'Homme (Volks), Jess Bays (Capital Dance), J Felix, Jill Wheeler (Redeye Worldwide), Joel Sumerling (Strategic Music Management), Jon Carter, Jono Heale (ACS), Joshua “Satch” Satchell (SongTeller/Transpose), Jules Cameron (Bad JuJu), Jules O’Riordan AKA Judge Jules (Global DJ / Lawyer, Sound Advice), Julian Fyson (Musician, DJ, Sound Bath Facilitator), Julie Freeman (Sonoform), Just Her (Crosstown Rebels / LNOE), Kag Katumba (R&S Records), Kameron Addington-Dzenyo (Duetti), Kayleigh Ramchand-Bentley, Keira Forrest (EoC), Kenny Dope (Masters at Work), Kevin da Costa (Brighton Vinyl), Kirk Field (author), Kit Rice, Kit Wardle (Beat Blocks Haptic Flooring), KuraZana ((Sound Alchemist, DJ, Yoga Teacher), Laura Hine (Tinnitus UK), Laurie Oliva (Help Musicians), Lawrie Dunster (Curve Pusher), Lee Morrison (rightsHUB), Leon La Rosa (Select Radio), Lewis Sinclair (Cygnus), Lex Luca (OpenDAW), Lisa Horan, Lisa Maffia, Lizzie Curious, LOLA (SIZE), Luvain, Lucy Johnson (Vinyl Press UK), Lynda Phoenix (Beatport), Maddy Salvage (VP A&R Ninja Tune), Made By Pete, Madame Electrifie, Madison True (Vinyl Bitch / MADDØG), Maiken Silverup (Theodore), Malena Wolfer (Pockets Agency), Mandy Salem-Aubry (MSA Music Services), Marc Carey (Evovinyl), Mark Milsted (Phoenix Business Management), Maria Picard (Noux), Martha Cleary (GLOW), Marvin Aloys (Addicted Room / Sound Escape), Matt (Breathe), Matt Jam Lamont, Matt Lally (Hospital Records), Matt Rouse (House Culture), Max Noir (Tru Thoughts), MEERA, Michael Kill (NTIA), Mickey Jukes (1BTN), Mikee Hollywood, Millie Ellenger (Frame Artists, Milly on Air (Back 2 Life), Mini Da Minx, Molly Johnson (Believe / Sentric), Mr Bristow, Myles Clarke, Nathan X, Neil Kemp, Nickelle (Nervous Records), Nikki Belle (Mousse T 'Horny'), Nikki McNeill (Global Publicity), NOLAN (Bedrock/Mobilee), Oliver Night (Tru Thoughts), Omnia Elashmawi (Loopcloud), Pete Bones, Pete Jordan (LWE/AMAAD), Peter Piper (Overview Music), PEYTON (Milk & Sugar / Revival Records), Phil Hartnoll (ORBITAL), POoK (Red Giant Recordings), Promo Zo, Queen B (Z Records), Radu Munteanu (onlygoodpeople), Ralf Kollmann (mobilee), Ramin Rezaie, Rebecca Cribb (ITV / Love Island), Renegade Soundwave, Revival House Project, Rob Made (MuseMe.ai), Rhys Baker (Tru Thoughts), Ridney, Rob Anderson (AlphaTheta), Robert Luis (Tru Thoughts), Rosie Stephens (Media Arts Lab), Roxanne Oak (Relationship Manager / PPL), Sally Freeman (Eat Sleep Rave Relax), Sam Spencer (Broadwick Live), Sami Qureshi (AlphaTheta), Savannah, SAVSSOUNDS (ALTVERSE), Saytek, Scarlett Langdon (Gal Pals), Scott Diaz, Seamus Haji (Big Love), Seb Fowkes (Concorde2), Shamus Damani (Defected), Shanae Dennis (The Team), Shillin', Silvia Montello (Voicebox), Simon Mitchell, Simon Tillotson (Neighbourhood PR), Ski Oakenfull, Solah, Sophia Wardman, Sophie Lloyd (Classic Music Company), Stefanie Baron (Technics), Steve Mac, Stijn Versteeg (Armada Music), Stuart Knight (Toolroom/Fools Paradise), Sunita Dhaliwal (The Everyday Agency), Susanne Hazendonk (Armada Music), Suzanna Dee, Tammy Tinawi (Yoga teacher), The House Poet (Michael Grierson), Tim Cullen, Tom Cane (A Work In Progress), Tom Middleton, Toni Tambourine (Tambo PR), Treasa Hayes (Hospital Records), Trevor McNamee (Jalapeno Records), Trina Smith (Sourcery Collective), Vanessa Thomas (Soul of the City Choir), Vicky Devine, Vicky Taylor (Truelove), Viva Soul, Werkha (Saturama), Wildblood & Queenie, Xandice Armah (Gal Pals), Yulia Niko (Beatport Music Curator).
Speakers from companies including:
1BTN, A Greener Future, ACS, AFEM, AlphaTheta, Anderson Acoustics, Armada Music, Arts Council, Bandcamp, BBC Radio 1, Beatport, Believe, Big Love, Block Events, Brighton Vinyl, Broadwick Live, Capital Dance, Concorde, Creative Law, Data Transmission, Defected, DISCOLISCIOUS, Downtown, Duetti, Eat Sleep Rave Relax, Electrowerkz, Evovinyl, FFWD, Four Venues, Frame Artists, GLOW, Global Publicity, Help Musicians, Hospital Records, ITV / Love Island, Kiffix, LabelWorx, Listen Up, Loopcloud, Loopmasters, LWE/AMAAD, Media Arts Lab, mobilee, MSA Music Services, MuseMe.ai, Nervous Records, Neighbourhood PR, Ninja Tune, NTIA, OpenDAW, pointblank, PPL, PRS for Music, rightsHUB, Select Radio, Selador, Sentric, shesaid.so SIZE, Skiddle, Sonoform, Sound Advice, Sourcery Collective, Suess Media, Technics, The Brilliance Effect, The Everyday Agency, The Plug, The Team, Tinnitus UK, Toolroom, Tru Thoughts, Truelove Music Publishing, Vinyl Press UK, Voicebox, Volks, Warp Publishing, We Are The Unheard CIC, Xelon.
View full programme on the BMC website: www.brightonmusicconference.co.uk
BMC - Where Beats Means Business
BMC Tickets
BMC26 professional pass are on sale now for £175 + b/f
Buy tickets here: https://www.brightonmusicconference.co.uk/buy-tickets/
Notes to Editors:
For more info and press accreditations, please contact Nikki McNeill | Global Publicity
nikki@globalpublicity.co.uk
Download photos from BMC 2025 here
Please credit photographer where information is given.
About Brighton Music Conference
The award-winning Brighton Music Conference (BMC) is the UK's leading electronic music conference & networking event, focusing on innovation, education & the key issues facing the electronic dance music sector. BMC brings together Industry-leading delegates and speakers at over 60 talks, seminars and workshops, alongside networking events throughout the conference duration. It is attended by 1000s of experienced music industry professionals, the next generation of DJs, producers as well as electronic music enthusiasts.
BMC was also awarded by the NTIA at the Ambassadors of the Night Awards 2019 for their work and commitment to developing awareness and education of the UK Electronic Music Scene internationally within the NTE.
BMC also supports the charity Last Night A DJ Saved My Life.
1 In 3 Can’t Afford A Night Out: Despite 85% Of 18-35 Year Old’s Backing Nightlife As Costs And Taxes Bite
Young people still want to go out, but cost of living pressures and rising costs are shutting them out. Britain’s young people haven’t fallen out of love with going out, they’ve been priced out of it. New research from the Night Time Industries Association (NTIA) and Obsurvant firmly challenges the narrative that younger generations are turning away from nightlife.
Demand is not disappearing, it is being suppressed.
Young people continue to value nightlife as a vital part of their social lives, culture and identity. They still want to go out, connect, experience music and participate in the Night Time Economy and Hospitality sector.
But the reality is increasingly clear: for many, the ability to do so is being limited by cost.
A GENERATION PRICED OUT
The data paints a stark picture:
-1 in 3 lower earners say going out is now unaffordable
-68% of young people say economic conditions have reduced how often they go out
-53% are spending less on nightlife than a year ago
What was once a regular part of life is increasingly becoming an occasional luxury.
DEMAND IS STRONG — BUT ACCESS IS SHRINKING
Despite widespread commentary about changing habits or declining alcohol consumption, the data tells a different story.
85% of 18–24-year-olds and 86% of 25–34-year-olds say they would be influenced by political support for the Night Time Economy and Hospitality - underlining just how important the sector remains.
This is not a generation opting out. It is a generation being forced to scale back.
Across the board, young people report reductions in spend, shorter dwell time, and less frequent visits, not because they want to, but because they have to.
The cost of daily living, from rent and energy to food and transport, is placing enormous pressure on disposable income. At the same time, rising operating costs and taxation across the sector are pushing up the price of going out, from entry fees and transport to drinks and accommodation.
The result is clear:
Demand remains strong — but participation is being squeezed.
POLITICIANS NOT KEEPING UP
While politicians continue to talk about putting money back into people’s pockets, the lived experience for young people tells a different story.
-Only 29% believe the Night Time Economy and Hospitality sector is well supported
-Three quarters of people say policy in this area would influence how they vote
Young people are clear about what matters to them — but there is a growing sense that their priorities are not being heard.
Michael Kill, CEO of the Night Time Industries Association, said:
“This report completely debunks the myth that young people don’t want to go out. Demand is clearly there, what’s disappearing is affordability. Young people are under huge pressure from the cost of daily living, while rising costs and taxation are driving up the price of a night out, not through a drive to increase profit or greed, but purely to keep businesses afloat.
They are cutting back not by choice, but by necessity. At the same time, many feel politics doesn’t speak their language or reflect what matters to them. If this continues, we risk alienating a generation and undermining the future of our sector.”
Theo Dominian, Research Strategy Lead, Obsurvant said:
“This second wave of Navigating the Night builds on the foundations laid in Q4 2025, continuing the tracking research while adding new data, new depth, and a clearer view of where the industry stands heading further into a year that has started with immense macro challenges.
The core findings on behaviour, affordability, safety and government support continue to build the picture of a sector under strain, particularly for lower-income consumers, for whom the cost & transport logistics of a night out have become genuinely prohibitive.
This report also shows the importance of the night-time economy to voters, with support for the industry, and the impact of a Purple Flag pledge, influencing people’s voting intention. This is especially true among young people and shows the significant role that night-time economy policies play in shaping electoral behaviour.”
MORE THAN JUST A NIGHT OUT
The Night Time Economy and Hospitality sector is not just about leisure.
It underpins jobs, fuels the UK’s world-leading creative industries, and provides essential spaces for social connection, wellbeing and cultural expression.
But without intervention, access risks becoming increasingly limited — undermining both the sector and the communities it supports.
CALL FOR ACTION
The NTIA is calling for urgent action to:
-Address the cost of living pressures facing young people
-Reduce the tax and cost burden impacting the Night Time Economy and Hospitality
-Support venues and operators across the sector
-Improve late-night transport and safety
-Recognise the sector’s role in economic growth and cultural life
The message is clear:
-Young people haven’t stopped wanting to go out.
-They haven’t lost interest in nightlife.
-They are being priced out of it.
And with millions of votes at stake, it’s a reality politicians can no longer afford to ignore.
Notes to Editors:
Download full report here: https://www.dropbox.com/scl/fo/ybug4vieyaish3rde1pqj/APLuFpvBFbQsy-AQogD_KVw?rlkey=5zhk9zk9qp3pry0r8g10z7df6&st=z9fww7p6&dl=0
Earth Day - Global Festivals Prove Being Green Works
On Earth Day, A Greener Future (AGF), the not-for-profit company dedicated to making the live event sector sustainable, highlights how festivals are leading the way on green initiatives with innovative solutions that are cost-effective and reduce emissions.
While Earth Day is a time for reflection, the global events industry is already taking action and making progress. From energy and food to infrastructure and travel, festivals around the world are implementing strategies to reduce their environmental impact. Smashing the narrative that being green costs more and that plant-based menus won’t work, festivals are the catalyst for the transition that is much needed in the events industry and the world at large.
According to Claire O’Neill, festival sustainability expert and co-founder of AGF: “Festivals are a great place to experience and explore new (and old) ways of doing things. From water to energy to biodiversity restoration, when done well, festivals showcase more sustainable alternatives.”
Festivals proving that being green works…
Primavera Sound, Spain – Improving energy efficiency at scale
Maximising energy efficiency and using a power source that has the lowest impact on the environment is something many events aim to achieve. Primavera Sound is focused on improving its energy efficiency by reinforcing electrification and optimising battery use and fuel consumption in generator sets.
To achieve this, they will expand the areas and/or equipment supplied by the main electricity grid; limit the power supplied to catering outlets, ensuring it is truly aligned with actual consumption needs; review the design of the generator installation to standardise usage; and review the design of the battery installation to maximise its effectiveness and efficiency.
Paradise City, Belgium – Shifting food culture towards lower-impact choices
What we eat and drink is significant when it comes to sustainability, with a third of global emissions coming from food and agriculture, as well as the biodiversity and human health impacts, not to mention animal cruelty.
One of the most talked about sessions at the recent Green Events & Innovations Conference was Beyond The Burger Van: How Festivals Like Paradise City are Serving Sustainable Futures, where the food curator for Paradise City Group, Petra Daniëls, gave insights into providing plant-based menus at festivals.
“As science proves, we should all eat more plant-based foods, both for the planet and for our own health. Unfortunately, these options are not easy to find at events. There are often not many vegetarian or vegan options, or they are presented incorrectly,” says Petra. “To implement a sustainable policy as a food manager, you need the support of your team and your boss. Events are still organisations that need to make a profit. So it is also important to demonstrate that sustainable options are still profitable.”
Petra’s five top tips
1) Require caterers to include at least 1 vegetarian or vegan option on each menu.
2) This dish should be at the top of the menu, with the meat dish at the bottom.
3) The meat dish should always be more expensive.
4) Drastically reduce your carbon footprint by no longer offering beef and lamb. Chicken and pork have a much smaller impact.
5) Communication is key: avoid using the words “vegetarian” or “vegan” in the description of the dish. Be creative. “Field-grown lasagna al forno” sounds much sexier than “vegan lasagna.” By normalising these dishes, they won’t seem unusual or extreme.
Seeing healthy and environmentally friendly dishes become the norm, rather than being offered as a “strange” alternative, would be a game-changer at festivals this summer.
“We must not forget that we, as the events sector, can have a major impact,” Petra adds. “After all, we reach thousands of people in a short space of time. And we can introduce them to good food in a positive way, encouraging them to choose less meat. And with Paradise City festival, we are proving that you can go completely plant-based without shouting about it, and the public will love it.”
DGTL, The Netherlands – Putting travel & mobility at the heart of festival planning
Transport is one of the biggest culprits for many temporary events. With the transportation of audiences, production crew, artists, and the production itself still staggeringly carbon-heavy, event managers are adopting practices that reduce their carbon footprint while still delivering the party.
DGTL, a recent AGF International awards winner, has a detailed mobility plan, clear KPIs, and robust monitoring, backed by a strategically central location that enables most attendees to arrive by public transport (including extra ferries), by bike, or on foot, with no dedicated visitor parking.
From booking more local artists and contributing to Sustainable Aviation Fuel to consolidating freight and shifting on-site vehicles towards electric and renewable fuels, DGTL proves that an ambitious mobility transformation is possible without compromising the experience for the audience.
Ultra Festival, USA – Rethinking how stages are powered
Event power is a hot topic in the realm of sustainability and also a hotbed for innovation. Ultra Music Festival’s award-winning sustainability programme, Mission: Home, made history this year by being the first major electronic music festival in the US to power a large-scale stage with zero-emission batteries.
As electronic music continues to shape global festival culture, Ultra’s move signals an important evolution for the genre’s largest events – demonstrating that high-energy production and environmental responsibility can go hand in hand.
Mission: Home teamed up with REVERB’s Music Decarbonization Project, Showpower, and CES Power to use a SmartGrid battery system on the RESISTANCE Cove Stage. Showpower’s SmartGrid™ Battery System is charged using existing grid infrastructure, creating no on-site emissions.
“Each year, we push ourselves to think bigger, and this next chapter reflects how collaboration, innovation, and culture are coming together to create lasting impact,” reports Vivian Belzaguy Hunter, Ultra’s sustainability director.
The expansion of emission-free stages at Ultra arrives as a welcome driver of Mission: Home’s unstoppable momentum. Last year, the festival became the first US-based event of its scale in more than a decade to earn A Greener Future’s prestigious Greener Festival certification and was the only US festival nominated for an International AGF Award.
All Points East, UK – Improving waste management through on-site sorting
All Points East has implemented a dedicated on-site waste-sorting facility designed to better understand and improve how waste is managed at events.
Constructed using repurposed materials found onsite, the facility allowed teams to efficiently sort waste collected from across the festival. Front-of-house bins captured mixed waste, recycling, and vapes, while back-of-house processes ensured the separation of glass and food waste from traders, who used strictly 100% compostable serveware.
The festival also powered their stage using Grid Faeries x Ecotricity 3 MWh battery system powered by grid energy from the wind and the sun.
Green Gathering, UK – Embedding permaculture into festival life
Green Gathering has been championing green events and sustainability practices for years and is at the forefront of innovations.
Through its long-running Field Families area, the festival brings permaculture principles to life, showing how sustainable living can be practical, creative, and community-driven. Permaculture offers a framework for designing low-impact systems that work with nature, supporting how we produce food, use energy, and build shared spaces. At Green Gathering, this is translated into real, hands-on experience for its audience.
Since 1998, Field Families has been a core part of the festival, sharing knowledge and skills through dedicated workshop spaces. From growing food and preserving it, to exploring community models and low-impact living, the programme demonstrates how these ideas can be applied in everyday life.
The event now features three permaculture workshop spaces: Earth Care, People Care, and Fair Shares. There's an area dedicated to building with earth; Dr Bike myth-busts bike maintenance; plus the now famous Free Shop – where clothes, bedding, and other random items are offered for free.
This is a valuable reminder that festivals can go beyond reducing impact to become spaces where entirely different ways of living are explored and experienced. Travel, food, and materials are among the most impactful areas when it comes to event sustainability, and these examples reflect a wider shift across the industry, where sustainability is becoming standard practice.
Contact
Nikki McNeill | Global Publicity
Nikki@globalpublicity.co.uk
Brighton Music Conference 2026 Announce Second Wave of Names
BRIGHTON MUSIC CONFERENCE 2026 ANNOUNCE SECOND WAVE OF NAMES
Brighton Music Conference (BMC), the UK’s leading electronic music and networking event reveals the second wave of names, as the line up takes shape for its 2026 edition with over 200 speakers and artists confirmed.
Taking place from 20th to 23rd May 2026, the award-winning event will once again take over some of Brighton’s best-loved seafront venues set against the backdrop of Brighton beach and the iconic pier, with a packed programme of insightful talks, workshops and networking events.
Over 100 newly confirmed artists and speakers have been added to the programme including, Abigail Bailey, Alan Fitzpatrick, Andy Barlow (Lamb), Angie Brown, Brandon Block, Coco Cole, Denis Sulta, Dykes on Decks, Gal Pals, Greg Wilson, Irvine Welsh, Jon Carter, Madame Electrifie, Nathan X, Solah and many more.
Over 200 artists and speakers are now confirmed for the BMC 2026 edition with more to be announced. Previoulsy announced names include Anja Schneider, Anne Savage, Arielle Free, Beardyman, Booker T, Carly Wilford, Dave Seaman, Huxley, Jess Bays, Judge Jules, Judy Griffith (fabric), Just Her, Jumpin Jack Frost, Kenny Dope (Masters At Work), Matt Jam Lamont, Phil Hartnoll (ORBITAL), Ralf Kollmann (mobilee), Robert Luis, Saytek, Scott Diaz, Ski Oakenfull, Tom Middleton, Wideboys, Wildblood & Queenie and many more.
BMC is the place to keep up to date with the latest industry trends and best practices, build and grow your network, make new connections, and immerse yourself in all things related to the electronic music scene and culture. Taking place across 4 theatres, BMC has a packed programme of insightful talks, workshops with plenty of practical tips and takeaways.
Theatre 1 - Wellbeing programme
After the successful launch of the well-being programme last year, BMC will once again have a dedicated space to discuss important topics such as Burnout, Imposter Syndrome, Neurodiversity, Mental Health, Sobriety, Parenting & Djing and much more with Yoga and Soundbaths to start each day. Supported by Anderson Acoustics, the well-being theatre will be hosted at one of Brighton’s best-loved seafront venues the Tempest with speakers including; Angie Brown, Anne Savage, Brandon Block, Denis Sulta, Emma Cordell (Downtown), Finlay Johnson (AFEM), Jono Heale (ACS), Ines Martinez, Jumpin Jack Frost, Just Her (Crosstown Rebels/LNOE), Laura Hine (Tinnitus UK), Martha Cleary (GLOW), Phil Hartnoll (ORBITAL), Sally Freeman (Eat Sleep Rave Relax), Tom Middleton and Wildblood & Queenie.
Theatre 2 - Workshops with pointblank
The workshop theatre returns in collaboration with pointblank at Players, featuring in depth educational workshops covering practical topics such as Social Media, Track Production, Vocal Production, DJ Tips & Tricks, Immersive Audio, Virtual Reality and more. Interactive sessions will be led by Beardyman, Grahame Farmer, Huxley, Saytek, Ski Oakenfull, AlphaTheta, Loopmaters and Technics to name a few.
Theatre 3 - DJ / Producer programme
The DJ producer theatre at Horizon, will cover a wide range of topics including Artist Development, Vocals, Writing Camps, Representation, DIY, Radio, Getting Signed, Podcasts and a Keynote Interview with Dave Seaman (Brothers in Rhythm / Selador). Plus the ever-popular DJ, Producer and Promoter Q&A’s and celebrating milestones with special sessions to celebrate 30 Years Of Hospital Records and 50 years of Greg Wilson. Speakers include; Abigail Bailey, Andy Barlow (Lamb), Anja Schneider, Arielle Free (BBC Radio 1), Booker T, Chris Goss (Hospital Records), Coco Cole, Emily Dust, Irvine Welsh, Greg Wilson, Jess Bays (Capital Dance), Madame Electrifie, Matt Jam Lamont, Molly Johnson (Believe / Sentric), Scott Diaz, Seamus Haji (Big Love), Seb Fowkes (Concorde2) and Yulia Niko (Beatport Music Curator).
Theatre 4 - Industry programme in collaboration with Skiddle
Theatre 4, in collaboration with Skiddle, will take place at The Carousels, covering music industry and business topics such as Label Contracts, Publishing Deals, Sync, Music Rights, PR, Label Q&A, Ticketing, AI, NTIA Electronic Music Report and the Annual Beatport Hour and much more. Industry professionals sharing their knowledge across the two days include; Alan Fitzpatrick (DJ & Producer), Aly Gillani (Bandcamp), Clara Suess (Suess Media), Dean Marsh (Creative Law), Duncan King (Skiddle), Dujon Fairweather (Listen UP), Emma Cordwell (Downtown), Emile Birks (Beatport), Gemma Farrington (Sentric), Jason Ellis (Armada Music), Jules O’Riordan AKA Judge Jules, Judy Griffith (fabric), Rebecca Cribb (ITV / Love Island), Robert Luis (Tru Thoughts), Sam Spencer (Broadwick Live), Shamus Damani (Defected), Silvia Montello (Voicebox Consulting), Simon Tillotson (Neighbourhood PR) and Trina Smith (Sourcery Collective).
Networking - Build and Grow Your Network
Networking is a big part of the BMC ethos and there are plenty of opportunities to meet industry colleagues and connect with like-minded people at the numerous networking parties at some of Brighton’s best-loved venues. Whether you’re an artist, promoter, agent or manager - this is where the industry comes together. Build real relationships that can open doors for your career.
The BMC official welcome party will kick things off at The Tempest on Wednesday 20th May with DJ’s Banxi, Chad Jackson, Pete Bones, Ralf Kollmann and Ridney. On Thursday 21st May the shesaid.so Brighton team will host their annual breakfast club networking event at the Lazy Finn with the opportunity to network and get a professional headshot. The infamous Hotel Pelirocco will host the PRS Networking event, with Elemental Music and R-Trybe at Ohso and Jack Said What taking over The Tempest. On Friday 22nd May Grahame Farmer will host his popular Blueprint Breakfast at the Lazy Finn, NTIA will host a mixer at the Tempest and the official BMC After Party at Volks. View all events here: https://www.brightonmusicconference.co.uk/bmc26-mixers-events/
Second wave of names announced;
Abigail Bailey, Ad Savage, Alan Fitzpatrick, Alex Berry & Lebby (Dykes on Decks), Alex Branson (Beatport), Andthen, Andy Barlow (Lamb), Amy Jayne (LabelWorx), Angie Brown, Antonia Lucas (Love Vocals & SoundMind), Ashton Hawthorne-Somers, Bakkis, Banxi, Becky Wicks, Ben Godwin, Bex White (Yoga teacher), Bobby Harvey (Armada / Skint / Universal-Island), Brandon Block, Carl Loben (DJ Mag), Ceylan Goksel, Chad Jackson, Chris Hampshire (Recoverworld Label Group), Clara Suess (Suess Media), DEED, Deep Fiktion, Denise Devonish, Denis Sulta, DJ MJ, Dujon Fairweather (Listen UP), Duncan King (Skiddle), Emma Greenland (Anderson Acoustics), Eve Horne (We Are The Unheard CIC), Fancyshews! Fiona Miller, Grace George (Beatport), Greg Wilson, Hema Patel, Irvine Welsh, Jack Lawrenson (Xelon Digital), Jamaica Rose (Armada), James Lee (Electrowerkz / Club Suzies), Jasmine Reeder (CTRLFRK), Jason Ellis (Armada Music), Jill Wheeler (Redeye Worldwide), Jon Carter, Julie Freeman (Sonoform), KAG, Kayleigh Ramchand-Bentley, Keira Forrest (EoC), KuraZana, Laura Hine (Tinnitus UK), Lee Morrison (rightsHUB), Leon La Rosa (Select Radio), Lizzie Curious, Luvain, Lucy Johnson (Vinyl Press UK), Lynda Phoenix, Madame Electrifie, Madison True (Vinyl Bitch / MADDØG), Malena Wolfer (Pockets Agency), Martha Cleary (GLOW), Matt Lally (Hospital Records), Matt (Breathe), Matt Rouse (House Culture), Marvin Aloys (Addicted Room / Sound Escape), Mikee Hollywood, Milly on Air (Back 2 Life), Myles Clarke, Nathan X, Neil Kemp, Nickelle (Nervous Records), Nikki McNeill (Global Publicity), NOLAN (Bedrock/Mobilee), Peter Piper (Overview Music), Pete Bones, PEYTON (Milk & Sugar / Revival Records), Queen B (Z Records), Radu Munteanu (onlygoodpeople), Ramim Razaie, Renegade Soundwave, Revival House Project, Ridney, Rob Anderson (AlphaTheta), Rosie Stephens (Media Arts Lab), Sam Spencer (Broadwick Live), Savannah, Scarlett Langdon (Gal Pals), Simon Mitchell, Simon Tillotson (Neighbourhood PR), Solah, Steve Mac, Stijn Versteeg (Armada Music), Sunita Dhaliwal (The Everyday Agency), Suzanna Dee, Susanne Hazendonk (Armada Music), Tammy Tinawi (Yoga teacher), The House Poet (Michael Grierson), Treasa Hayes (Hospital Records), Vanessa Thomas (Soul of the City Choir), Vicky Devine, Will Whisson, Xandice Armah (Gal Pals).
View full programme on the BMC website: www.brightonmusicconference.co.uk
BMC - Where Beats Means Business
BMC Tickets
Earlybird tickets are on sale now for £175 + b/f
Buy tickets here: https://www.brightonmusicconference.co.uk/buy-tickets/
Notes to Editors:
For more info and press accreditations, please contact Nikki McNeill | Global Publicity
nikki@globalpublicity.co.uk
Download photos from BMC 2025 here
Please credit photographer where information is given.
About Brighton Music Conference
The award-winning Brighton Music Conference (BMC) is the UK's leading electronic music conference & networking event, focusing on innovation, education & the key issues facing the electronic dance music sector. BMC brings together Industry-leading delegates and speakers at over 60 talks, seminars and workshops, alongside networking events throughout the conference duration. It is attended by 1000s of experienced music industry professionals, the next generation of DJs, producers as well as electronic music enthusiasts.
BMC was also awarded by the NTIA at the Ambassadors of the Night Awards 2019 for their work and commitment to developing awareness and education of the UK Electronic Music Scene internationally within the NTE.
BMC also supports the charity Last Night A DJ Saved My Life.
A Greener Future Nominated for Prestigious Music Cities Awards 2026
A Greener Future (AGF) are happy to be nominated in the 2026 Music Cities Awards, the most consolidated global competition that rewards outstanding projects using music to improve cities.
AGF are nominated in the Music & Climate Action category alongside MIT Climate Machine ((USA) and United Nations Accelerator City, Liverpool City Council (UK)
Claire O'Neill, CEO & Co Founder said:
“Cities and events working together for climate action is crucial. Our core purpose for 20 years has been protecting the environment through music events, so we’re very happy to be nominated for the Music and Climate Action award. We were also closely involved with UN Accelerator City alongside Massive Attack’s Act1.5, Liverpool City, and Ecotricity, so we know we’re in excellent company on this nominee list. Thank you to Music Cities for the honour, and congratulations to all of the nominees.”
Now in its 6th year, the Awards continue to spotlight the organizations, public bodies, cultural leaders, and artists who are redefining how music can drive social, economic, and cultural impact around the world.
Past year’s winners include: City of Music Leipzig (Germany), Fundación Music for All (Spain), United World Shine (Nepal), Queensland Music Festival (Australia), Playing For Change Foundation (Guatemala), Joudour Sahara (Morocco), Fábrica de Arte Cubano (Cuba), Monte Olimpa (Colombia), Jazzy Business Consulting (Japan), Red Dirt Relief Fund (USA), Fever (Global).
The 2026 edition received 222 applications across 9 categories, representing 50 countries from 6 continents, including city governments, non-profits, music start-ups, and individual leaders.
The winners of the contest will be announced on 11 June during the Awards Ceremony at Hull Music Cities Convention 2026 in Kingston upon Hull, UK, presented by the hosting partner Hull City Council and supported by Visit Britain, Visit Hull and Hull Coty of Music.
The Music Cities Awards is a living database of the most exciting and impactful projects using music’s transformational power across the world to drive tourism, improve health, help the youth, transform old buildings into cultural hubs and much more. To see the full list of nominated projects visit: https://www.musiccitiesevents.com/2026-nominees
AGF’s Dr Teresa Moore will also be speaking at the Music Cities Convention, Taking place in Kingston upon Hull from 9–11 June 2026. The Convention will bring together hundreds of national and international delegates and more than 30 executive speakers working across government, industry, planning and investment. The 2026 programme centres on implementation - how cities move from ambition to action - with sessions designed to share practical frameworks, case studies and replicable policy tools.
More information and tickets:
https://www.musiccitiesevents.com/hull
Contact:
Nikki McNeill | Global Publicity
nikki@globalpublicity.co.uk
Get Your Music Signed at Brighton Music Conference A&R Sessions
The award-winning Brighton Music Conference (BMC), the UK’s leading electronic music and networking event, reveal the first 20 leading A&R professionals in the electronic music scene confirmed to join the ‘A&R Sessions’ at BMC26.
Taking place from 20th to 23rd May 2026, the award-winning event will once again take over some of Brighton’s best-loved seafront venues set against the backdrop of Brighton beach and the iconic pier, with a packed programme of insightful talks, workshops and networking events.
A&R is an important part of electronic dance music. So many tracks are produced and released every week that there has to be some sort of filtering process. Somebody needs to look for the new talent, nurture it, mentor budding up and coming artists, give feedback on tunes, help a new young producer with their productions.
The A&R Sessions at BMC have been especially designed to address this and support new talent. Headed up by prolific Brighton-based DJ and music producer Steve Mac, a wide variety of labels covering different genres have been lined up to give immediate feedback on productions in one-to-one meetings with leading A&Rs in the electronic music industry. It’s the place where artists make valuable connections, meet labels face to face and bring their demos to have some of the most discerning ears in the industry listen to them.
“We love supporting the next generation of talent and helping them on their career journey.” says BMC founder Billy Mauseth. “We have an amazing line up of experts that will be on hand to give quality feedback on artists productions and they might even get signed.’
Confirmed labels and A&R professionals Include; Axtone, Beatport, Bedfunk, Curious Energy Records, Elemental Music, Freakin 909, Helix Records, House Heads, Inflyte,
Krafted, Music to Die For, Paharas Musica, Prime Direct Distribution, R&S Records, Red Giant, Seledor, Sleazy Deep, Toolroom Records, Yorokobi Sounds. more labels TBA.
The ‘A&R Sessions’ will take place on Thursday 22nd May at The Tempest on Brighton’s beachfront, just a short walk from the main BMC Hub at Players. Last year was a sell-out success, with a high quality of music being submitted and several signings during the event. The one-to-one sessions will be booked on a first come first served basis. Limited spaces available, book your tickets now here.
In the UK, BMC is the place to keep up to date with the latest industry trends and best practices, build and grow your network, make new connections, and immerse yourself in all things related to the electronic music scene and culture
Priding itself on being one of the most welcoming and friendly music industry events to attend, BMC is a hub for the next generation of talent in electronic music with an affordable ticket price. More to be announced soon.
BMC - Where Beats Means Business
More info on BMC here: https://www.brightonmusicconference.co.uk/
BMC Tickets
Earlybird tickets are on sale now for £175 + b/f
https://www.brightonmusicconference.co.uk/buy-tickets/
About Brighton Music Conference
The award-winning Brighton Music Conference (BMC) is the UK's leading electronic music conference & networking event, focusing on innovation, education & the key issues facing the electronic dance music sector. BMC brings together Industry-leading delegates and speakers at over 60 talks, seminars and workshops, alongside networking events throughout the conference duration. It is attended by 1000s of experienced music industry professionals, the next generation of DJs, producers as well as electronic music enthusiasts.
BMC was also awarded by the NTIA at the Ambassadors of the Night Awards 2019 for their work and commitment to developing awareness and education of the UK Electronic Music Scene internationally within the NTE.
BMC also supports the charity Last Night A DJ Saved My Life.
Contact:
NIkki McNeill | Global Publicity
nikki@globalpublicity.co.uk
Music PR | Event PR | Festival PR
Music Ambassadors Tour 2025: From Destroyed Music Schools to Cultural Revival in Wartime Ukraine
In December 2025, the Ukrainian Association of Music Events (UAME) completed the third edition of Music Ambassadors Tour, bringing 10 music industry professionals from 9 countries to Ukraine for a four-day journey through Kyiv, northern Ukraine, and de-occupied territories in the south.
The project was created to give international festival directors, bookers, music managers and cultural professionals a direct understanding of how Ukrainian culture continues to function, adapt and rebuild under full-scale war. This year’s edition has now been followed by the release of a documentary film capturing the delegation’s journey and experience. Watch the film here: https://youtu.be/2uql_ywA4Jo
The tour began in Kyiv, where participants were introduced to the contrast that defines daily life in the capital: Christmas lights and public squares standing alongside memorials to fallen defenders, destroyed Russian military equipment, and the constant reality of blackouts and rumbling generators.
From there, the delegation travelled north to Chernihiv, where they visited Fabrychna 12, the cultural space developed by Nata Zhyzhchenko (ONUKA) and Yevhen Filatov (The Maneken). There, participants encountered a model of living cultural continuity: traditional Ukrainian instrument-making being reinterpreted through contemporary artistic practice and digitalized production. At the Peremoha Centre, they saw 3D-printed sopilka and ocarina models based on traditional designs — not as a technological gimmick, but as a practical way to preserve and transmit musical heritage.
The most difficult part of the route took place in the south of Ukraine, in Kherson and Mykolaiv regions, where the guests visited destroyed arts schools and frontline-affected communities.
In Velyka Oleksandrivka, the arts school building was destroyed by a Russian ballistic missile after de-occupation, having previously been used by Russian forces during the settlement’s occupation. Despite studying remotely, students prepared a small concert for the visitors — a moment many participants described as one of the most powerful experiences of the entire tour.
In Davydiv Brid, a village that was on the frontline in 2022, not a single building remains intact. In Snihurivka, the local arts school continues to operate from an unsafe, inadequate building after losing its original premises. These visits made visible what is often missing from international coverage: the destruction of cultural and educational infrastructure is not only an attack on buildings but also on continuity, identity, and the future of communities.
“Until you come here, you don’t really understand the scale of the destruction, the courage of the people, and how resilient they are. I want to take this experience back with me.” — Pavla Slívová, Head of Booking & Artist Liaison, Colours of Ostrava
“This is a completely different experience from watching it on TV and standing inside a building destroyed by a missile. What struck me most was how people in small towns and villages still come together and somehow keep hope alive.” - Robbie Tolson, Founder, Turn The Tables
The tour concluded in Kyiv with a public event bringing together the international guests and the Ukrainian music community. Discussions focused on the role of music during crisis: as a force for unity, as a response to populism and division, and as a tool for recovery, inclusion and long-term resilience.
Particular attention was given to practical initiatives already working inside Ukraine, including EnterDJ, a project using DJing as a form of emotional support and rehabilitation for veterans and war-affected communities.
“What Russia is doing to theatres, schools and cultural centres has nothing to do with war. It is terrorism.” - Mikko Niemelä, CEO and promoter of Ruisrock Festival, YOUROPE board member
“What shocked me most was how much the world still does not see. I discovered many things I had never heard about before, which means that many of these stories are still not reaching international audiences.” - Ivan Milivojev, Co-founder of EXIT Festival, YOUROPE honorary member, and ESNS Exchange Ambassador
For UAME, the aim of Music Ambassadors Tour is not simply to host international guests in Ukraine, but to create long-term advocates who will carry this experience back to their festivals, institutions, media platforms and professional networks across Europe.
“This tour cannot be reduced to a programme of visits. What matters to us is that people do not simply see Ukraine, but carry this experience back into their own countries, events and professional environments.” - UAME | Music Saves Ukraine.
The newly released documentary film extends that mission beyond the four days of the tour, making the experience visible to wider international audiences.
This project is produced by Ukrainian Association of Music Events with the support of the Askold and Dir Fund as a part of the Strong Civil Society of Ukraine - a Driver towards Reforms and Democracy project, implemented by ISAR Ednannia, funded by Norway and Sweden.
About UAME / Music Saves Ukraine
UAME (Ukrainian Association of Music Events) is a non-governmental organisation founded in 2019 in Kyiv by music industry professionals. The organisation works to develop Ukraine’s live music sector, support artists and cultural initiatives, and strengthen the international presence of Ukrainian music. Since the start of the full-scale invasion in 2022, UAME has expanded its work to focus on cultural resilience, international advocacy, and building long-term partnerships between Ukrainian and European music communities.
Music Saves Ukraine is a charitable initiative launched by UAME on March 1, 2022, in response to the war. It brings together the international music community to support Ukraine through fundraising, cultural projects, and sustainable partnerships.To date, nearly 100 music events across Europe — from industry conferences to major festivals — have supported Music Saves Ukraine. This support has enabled the implementation of humanitarian and cultural projects, the restoration of cultural infrastructure, and the support of music education in frontline and war-affected regions.
Brighton Music Conference Announce First 100 Names For 2026 Edition
Brighton Music Conference (BMC), the UK’s leading electronic music and networking event reveals the first wave of speakers for its 2026 edition. Taking place from 20th to 23rd May 2026, the award-winning event will once again take over some of Brighton’s best-loved seafront venues set against the backdrop of Brighton beach and the iconic pier, with a packed programme of insightful talks, workshops and networking events.
First speakers & artists confirmed include; Anja Schneider, Anne Savage, Arielle Free, Beardyman, Booker T, Carly Wilford, Dave Seaman, Huxley, Jess Bays, Judge Jules, Judy Griffith (fabric), Just Her, Jumpin Jack Frost, Kenny Dope (Masters At Work), Matt Jam Lamont, Phil Hartnoll (ORBITAL), Ralf Kollmann (mobilee), Robert Luis, Saytek, Scott Diaz, Ski Oakenfull, Simon Dunmore, Tom Middleton, Wideboys, Wildblood & Queenie and many more.
Plus partners including; 1BTN, ACS Custom, AFEM, Armada Music, Anderson Acoustics, AlphaTheta, Beatport, Berlin:Brighton, Dance Wicked, Hospital Records, Kiffix, Mobilee Records, NTIA, pointblank, RightsHub, Selador Recordings, Select Radio, shesaid.so, SIZE, Skiddle, Technics, Tru Thoughts, UniteVerse, Xelon.
“BMC prides itself on being one of the most welcoming and friendly music industry events to attend with an affordable ticket price.” says BMC founder Billy Mauseth. “Last year we also supported more independent venues and provided an expanded conference programme offering more value for attendees. We always work hard to create a space where everyone can come together to learn, be inspired, network and enjoy amazing music and DJ sets.”
In the UK, BMC is the place to keep up to date with the latest industry trends and best practices, build and grow your network, make new connections, and immerse yourself in all things related to the electronic music scene and culture.
The workshop theatre returns in conjunction with pointblank at Players, featuring in depth educational workshops covering practical topics such as Social Media, Track Production, Vocal Production, DJ Tips & Tricks, Immersive Audio with sessions being led by Beardyman, Grahame Farmer, Huxley, Saytek, Ski Oakenfull, AlphaTheta, Loopmaters and Technics to name a few.
After the successful launch of the new well-being programme last year, BMC will once again have a dedicated space to discuss important topics such as Burnout, Imposter Syndrome, Neurodiversity, Mental Health, Parenting & Djing and much more with Yoga and Soundbaths to start each day. Supported by Anderson Acoustics, the well-being theatre will be hosted at one of Brighton’s best-loved seafront venues the Tempest with speakers including; Anne Savage (DJ, PhD Researcher), Emma Cordell (Downtown), Finlay Johnson (AFEM), Jumpin Jack Frost, Just Her (Crosstown Rebels/LNOE), Phil Hartnoll (ORBITAL), Sally Freeman (Eat Sleep Rave Relax) and Tom Middleton.
The DJ producer theatre at Horizon, will cover a wide range of topics including; Artist Development, Vocals, Writing Camps, Representation, DIY, Radio, Getting Signed,Podcasts and a Selador Recordings Q&A with Dave Seaman & Steve Parry. Plus the ever-popular DJ, Producer and Promoter Q&A’s and a special session to celebrate 30 Years Of Hospital Records. Speakers include; Anja Schneider, Arielle Free (BBC Radio 1), Chris Goss (Hospital Records), Matt Jam Lamont, Scott Diaz, Seamus Haji (Big Love), Seb Fowkes (Concorde2), Simon Dunmore and Yulia Niko (Beatport Music Curator).
Theatre 4, in collaboration with Skiddle, will take place at The Carousel, covering music industry and business topics such as Label Contracts, Publishing Deals, Sync, Music Rights, PR, Label Q&A, Ticketing, AI, LGBTQ+, the Annual Beatport Hour and much more. Industry professionals sharing their knowledge across the two days include; Aly Gillani (Bandcamp), Dean Marsh (Creative Law), Emile Birks (Beatport), Gemma Farrington (Sentric), Jules O’Riordan AKA Judge Jules, Judy Griffith (fabric), Robert Luis (Tru Thoughts), Shamus Damani (Defected) and Trina Smith (Sourcery Collective).
First 100 Speakers:
Abbie Humphries (Tileyard), Abi Flynn, Abi Lemon (The Brilliance Effect), Aly Gillani (Bandcamp), Andy Melchior (Genotone Ltd / Massive Attack / Björk's producer), Anja Schneider, Anne Savage (DJ, PhD Researcher), Antonia Lucas, Arielle Free (BBC Radio 1), Ashley Howard (PRS), Ben Gill (Block Events), Ben Malone (Armada Music), Bizzle Osikoya (The Plug), Bobbie Johnson, Booker T, Carly Wilford, Ceylon (Hospital Records), Charlotte De Vega (Material Music), Cherub Sanson (Sound Healer), Chris Carey (FFWD), Chris Goss (Hospital Records), Christabel Heasman-Cossins, Danny J Lewis, Dean Marsh (Creative Law), Dave Seaman (Selador / Brothers in Rhythm) DJ MJ (Back2House Events), Dr. Rachel Gow (FHEA), Eddie Craig (Wideboys), Ellie Talebian, Emile Birks (Beatport), Emily Dust (x Radio 1 / 1Xtra producer), Emma Cordwell (Downtown), Eva Lazarus, Eve Horne (WE ARE THE UNHEARD), Finlay Johnson (AFEM), Gemma Farrington (Sentric), Gemma Fox, Grahame Farmer, Huxley, Ramin Rezaie, BAKKIS, Ines Martinez (Four Venues), Jemma Bolt (DISCOLISCIOUS), Jess Bays (Capital Dance), Jono Heale (ACS), Jules Cameron (Bad JuJu), Jules O’Riordan AKA Judge Jules (Global DJ / Lawyer, Sound Advice), Judy Griffith (fabric), Julian Fyson (Musician, DJ, Sound Bath Facilitator), Just Her (Crosstown Rebels / LNOE), Kameron Addington-Dzenyo (Duetti), Kenny Dope (Masters at Work), Kevin da Costa (Brighton Vinyl), Kirk Field (author), Kit Rice, Kit Wardle (Beat Blocks Haptic Flooring), Lawrie Dunster (Curve Pusher), Lewis Sinclair (Cygnus), Lex Luca (OpenDAW), Lisa Horan, Made By Pete, Maiken Silverup (Theodore), Mandy Salem-Aubry (MSA Music Services), Marc Carey (Evovinyl), Maria Picard (Noux), Matt Jam Lamont, MEERA, Mickey Jukes (1BTN), Mini Da Minx, Molly Johnson (Believe / Sentric), Mr Bristow, Neil Kemp, Nickelle (Nervous Records), Nikki Belle (Mousse T 'Horny'), Omnia Elashmawi (Loopcloud), Phil Hartnoll (ORBITAL), Promo Zo, Rebecca Cribb (ITV / Love Island), Ralf Kollmann (mobilee), Robert Luis (Tru Thoughts), Rosie (Media Arts Lab), Sally Freeman (Eat Sleep Rave Relax), Sami Qureshi, Saytek, Scott Diaz, Seamus Haji (Big Love), Seb Fowkes (Concorde2), Shamus Damani (Defected), Silvia Montello (Voicebox), Simon Dunmore, Ski Oakenfull, Sophia Wardman, Stefanie Baron (Technics), Tom Cane (A Work In Progress), Tom Middleton, Toni Tambourine (Tambo PR), Trina Smith (Sourcery Collective), Vicky Taylor (Truelove), Wildblood & Queenie, Yulia Niko (Beatport Music Curator).
Representatives attending from:
1BTN, ACS Custom, AFEM, Armada Music, Anderson Acoustics, AlphaTheta, A Work In Progress, Back2House Events, Bandcamp, BBC Radio 1, BBE, Beatport, Beat Blocks Haptic Flooring, Believe, Big Love, Block Events, Brighton Vinyl, Capital Dance, Concorde2, Creative Law, Curve Pusher, Cygnus Music, Dance Wicked, Defected, DISCOLISCIOUS, Downtown, Duetti, Eat Sleep Rave Relax, Evovinyl, fabric, FFWD, Four Venues, Global Publicity, Hospital Records, Kiffix, Material Music, Media Arts Lab, Milk & Sugar, mobilee, MSA Music Services, Nervous Records, Noux, NTIA, OpenDAW, pointblank, PRS, Revival Records, RightsHub, Selador Recordings, Select Radio, Sentric, shesaid.so, SIZE, Skiddle, Sound Advice, Sourcery Collective, Technics, The Brilliance Effect, The Plug, Tileyard, Truelove, Tru Thoughts, UniteVerse, Vinyl Press UK, Voicebox, WE ARE THE UNHEARD, Women in Music UK, Xelon.
BMC Tickets
Earlybird tickets are on sale now for £175 + b/f
BMC - Where Beats Means Business
www.brightonmusicconference.co.uk
About Brighton Music Conference
The award-winning Brighton Music Conference (BMC) is the UK's leading electronic music conference & networking event, focusing on innovation, education & the key issues facing the electronic dance music sector. BMC brings together Industry-leading delegates and speakers at over 60 talks, seminars and workshops, alongside networking events throughout the conference duration. It is attended by 1000s of experienced music industry professionals, the next generation of DJs, producers as well as electronic music enthusiasts.
BMC was also awarded by the NTIA at the Ambassadors of the Night Awards 2019 for their work and commitment to developing awareness and education of the UK Electronic Music Scene internationally within the NTE.
BMC also supports the charity Last Night A DJ Saved My Life.
Contact:
For more info and press accreditations, please contact Nikki McNeill | Global Publicity
nikki@globalpublicity.co.uk
Planet, Profit, Polarisation & Politics Tackled at Green Events & Innovations Conference
The Green Events & Innovations Conference (GEI) welcomed over 400 delegates to the Royal Lancaster London for the 18th edition on 24th February, uniting Industry leaders, artists, indigenous voices, scientists, and more.
The event tackled critical sustainability topics and demonstrated that the events sector is leading the way in innovation, collaboration, and creativity to reduce environmental impacts, and that going green makes financial sense.
Many deep and moving discussions took place throughout the day, demonstrating a united stance on standing up for values, listening, and bringing people together, rather than feeding division.
Dale Vince OBE (Ecotricity) and Kneecap’s manager, Dan Lambert, were hosted by Claire O’Neill (AGF) and gave first-hand insights in Cancel Me, Cancel You: Values, Boycotts and Cancel Culture. Lambert said “At Coachella, [Kneecap] went to say something no one else was willing to say. But they said something factual and correct. They’re not easy decisions, but you have to make each one on its own merits. If you’re brave enough to speak, actually speak,” adding “it’s far more important for [the band] to have credibility.”
Both reflected on the backlash from powerful figures, politicians, and media, especially when speaking up for Palestine. Despite the kickback and various threats, the duo agreed that taking a stand is more important than all else. “The things we’re saying are truths, and we can’t be prevented from saying them,” Vince concluded.
Vince also joined Chris Packham CBE to introduce Saturday Night Beaver with Ecotalk, in which they discussed ways that we can protect nature. Packham said “At festivals, when they get there and are in a receptive state, it’s a perfect place to say think about that but think about this ,” with Vince going on to slam the impacts of the food industry: “We’re being abused by big food. It cowers our government, and the right wing media assists that.”
In EarthPercent Hour, Anna Calvi said, “A child looks at the world and thinks it's incredible and that gives you hope, and I think that inspired me to be more proactive.” While David Gray spoke passionately about his fundraising for restoring a salt marsh. “I wanted to do something more direct and relatable.” Adding “I don't see much evidence of caring for the natural world. Wouldn't it be wonderful if every venue had a [charity that it raised funds for] or was at least involved in raising awareness for what was local to it.”
He continued “So it's not just a picture of a kingfisher on the website of Live Nation, or whatever, because they gave 50 grand to somebody last year. It's something much more meaningful. It's those people taking the time to become involved in something… Without the connection and the love of what's there, an understanding of taking our place within the world of nature, how are we going to preserve it?”
Delegates were inspired by critically acclaimed immersive audiovisual project TAKKUUK, featuring a mindblowing performance from Katarina Barruk in the endangered indigenous Ume Sámi language, and heard about Sam Fender’s 100% eHGV European Tour, Hannah Cox running 100 marathons in 100 days across a colonial customs line in India, and Ash Perrin’sThe Flying Seagull Project that entertains children in refugee camps and war zones.
AGF launched their digital platform for green event and venue certifications, digitalising 20 years of sustainability expertise in Industry Initiatives: Research and Tools for a Greener Live Sector, alongside industry research case studies. The session closed with Green Deal Circular Festivals handing the reins of its green festival community over to YOUROPE.
Water security was the main topic of Riders on the Storm, which explored climate adaptation for events, with Dr Mohammad Shamsudduha (University College London) stating that “The most underestimated risk to this sector is water stress. We think about being climate neutral. We need to start thinking about being water neutral.”
Solutions for renewable energy for all venues were discussed in Green Light For Venues: Live Events Energy Scheme (LEES). LEES is a collaboration founded to provide an “energy basket” purchasing model to access affordable renewable energy for venues with Ecotricity. Patricia Yagüe (Live Nation) highlighted that "Sustainability now makes sense financially."
In Beyond the Burger Van, hosted by Clare Every (Little London Vegan), Petra Daniëls (Paradise City, Belgium) said, “You can still make money by being plant-based.” Adding, “We should be aware of the possible impact we can make; we can really drive change in a positive way.” In A Greener Tour Round VI, Jamal Chalabi (AGF / Backlash Productions) said a way forward is to “pay the arena for the electricity for the trucks, instead of fossil fuel companies, so it's a win-win,” and Françoise Cardoso (L-Acoustics) said that “Profit and sustainability go hand in hand.”
The social, economic, and environmental impacts of AI on the industry were also discussed in AI and Sustainability – highlighting the increase in water consumption by using AI. “[It uses up] one bottle of water for every 100 words on Chat GPT, which gives you some sort of scale,” stated A Greener Future’s Dr Teresa Moore.
Elsewhere, industry leaders shared solutions for audience travel and touring emissions, from product manufacturing to lifecycle analysis to slow touring; How to Achieve a 90% Recycling Rate presented insights from LIDO Festival and Radio 2 Big Weekend; Sustainable Cities: Taking Diesel Out Of Events brought together teams from Liverpool UN Accelerator City, Bristol City Council, and Massive Attack's Act 1.5 to explore real-world initiatives and the critical role cities can play in accelerating the transition to cleaner, greener event ecosystems.
And in Room 3, an additional space for this year, 12 important reports and case studies were presented, including: Touring: Climate & Sustainability Policy Research; Deep Dive Into Toilets: The Loos You Choose; Climate Transition Plan 2030 For UK Outdoor Events; and Big Team’s No Sustainability Without Diversity.
The International AGF Awards sponsored by Skydiamond concluded the day. Madame Gandhi performed an amazing live set before the event, and winners included M&S Bank Arena in Liverpool, UK; DGTL, The Netherlands; and Sam Fender’s People Watching for a 100% electric truck tour. View all winners here.
GEI is a partnership between green event pioneers A Greener Future (AGF) and the world’s leading platform for the live music and entertainment sector, the International Live Music Conference (ILMC), and was kindly supported by Ecotricity Business, TAIT, AEG & The O2.
More information at agreenerfuture.com