Amsterdam Dance Event reveals 250+ artists in first lineup release for 30 YEARS ADE
Amsterdam Dance Event (ADE), the world's largest festival and business gathering for electronic music, has just revealed the first wave of artists confirmed for its 30 YEARS ADE anniversary edition. The first names include Avalon Emerson, Benwal, Chlär, DJ Nobu, Eris Drew, Folamour, Freddy K, Fumi, Funk Assault, Jyoty, Kyle Starkey, Lammer, Marsolo, Novah, Octo Octa, Paige Tomlinson, Pegassi, Philippa Pacho, Prospa, Scooter, Skepta, Skin On Skin, Tjade, Yanamaste, and many more.
Recent highlights include Skepta returning in 2026 with an even larger Más Tiempo show at Warehouse Elementenstraat, David Guetta bringing his Monolith show to AMF, and iconic venue Gashouder finally back at ADE in its pre-opening season, as part of a broader new chapter for the venue. Eight shows are already confirmed, by Armin Van Buuren & Benwal, I Hate Models & Nico Moreno, Job Jobse, Mochakk, Franky Rizardo, Sammy Virji, and Josh Baker.
In addition, MOJO branches out in 2026 with two KI/KI 5 Hours shows and OUTWORLD - Klangkuenstler All Night Long At Ziggo Dome, as well as 30 YEARS ADE guest of honor Jean-Michel Jarre, 10 Years of STMPD RCRDS, and Unreal Germany at AFAS Live. Melkweg has confirmed the ADE Opening Concert: Kybba & Metropole Orkest, FACE 2 FACE, San Holo & Droeloe, Nimino, Starjunk 95, Dave Clarke Presents: 30 Years of ADE, a.o. Paradiso has so far revealed Malugi, State OFFF, Lawrence Hart, Speedy J presents STOOR Live, and more.
Major lineup drops by ADE promoters
Intercell reveals 65+ artists across 13 events, including Eris Drew, Lola Edo, Octo Octa, Fumi, Ines Isla, MCR-T, Cleopard2000, Olive Anguz, DJ Nobu, GiGi FM, I-RO, Philippa Pacho, Skin on Skin, SPFDJ, 999999999, Blanka, Freddy K, Phil Berg, Yanamaste, and others.
DGTL reveals 45+ artists across 7 events, including Folamour, Joris Voorn, Kevin de Vries, Miss Monique, NTO (live), Ashibah, EMILIJA, Faster Horses, Novah, Øtta, STAFFY, JAMIIE, Meera, Philou Louzolo, Tinlicker, Benwal, DJ EZ, Lammer, MPH, Olive Anguz, and others.
Into the Woods reveals 25+ artists including ANNĒ, Boss Priester, Clara Cuvé, Davyboi, Deer Jade, DJ BORING, ELIF, Essi, Freddi, Freddi, future.666, Gaskin, Jyoty, KELLAR, Kyle Starkey, Lamsi, Marsolo, newtone, Obskür, ØTTA, Sam Alfred, Young Marco, and others.
This first announcement marks the initial wave of ADE's program, set to ultimately include more than 3,000 artists at 200+ venues across Amsterdam from October 21—25, 2026.
Among the first 8% of artists and DJs are:
Adam Beyer (SE), Adriatique (CH), Aldonna (AU ), Alex Wann (FR), Amelie Lens (BE), Amémé (WA), Armin van Buuren (NL), Avalon Emerson (US), Bashkka (TR ), BELLA (NL), Bella Claxton (AU), Benwal (NL), Chlär (CH), Chloé Caillet (FR), Ciara Cuvé (DE), CLOUDY (DE), Cynthia Spiering (NL), Daria Kolosova (UA), David Guetta (FR), Davyboi (DE), DJ AYA (CH), DJ BORING (AU), DJ EZ (GB), DJ Heartstring (DE), DJ Nobu (JP), Eris Drew (US), Fafi Abdel Nour (NL), Faster Horses (GB), Fenrick (FR), FJAAK (DE), Folamour (FR), Franky Rizardo (NL), Freddy K (DE ), Fumi (US), Funk Assault (DE ), Gabrielle Kwarteng (US), Gaskin (GB), Girlsdontsync (GB), Helena Hauff (DE), Helena Lauwaert (BE), I-RO (TR), Isabella (CO), Jane Fitz (GB), Jeff Mills (US), Job Jobse (NL), Joris Voorn (NL), Joseph Capriati (IT), Josh Baker (GB), Jyoty (NL), KI/KI (NL), Klangkuenstler (DE), Korolova (UA), KUKO (DE), Kyle Starkey (GB), Lammer (NL), Lisa Korver (NL), Lola Edo (NL), Malugi (DE), Marcel Dettmann (DE), Marlon Hoffstadt (DE), Marsolo (NL), MCR-T (DE), Milion (NL), Mochakk (BR), MPH (GB), Ned Bennett (AU), Nico Moreno (FR), Novah (BE), Octo Octa (US), Omar+ (GB), Oppidan (GB), Oscar Mulero (ES), ØTTA (PT), Paige Tomlinson (GB), Pegassi (BE), Philippa Pacho (SE), Philou Louzolo (NL), Planetary Assault Systems (GB), Prospa (GB), Rene Wise (GB), Ryan Elliot (US), Saidah (GB), Sammy Virji (GB), Scooter (DE), Shanti Celeste (CL), Shimza (ZA), Skepta (GB), Skin On Skin (AU), SPFDJ (SE), Sultan + Shepard (CA), SUPERGLOSS (DE), The Blessed Madonna (US), The Martinez Brothers (US), Tinlicker (NL), Tjade (NL), Vieze Asbak (NL), Yanamaste (GE), and many more.
The full lineup so far can be found on ADE’s website and the complete program will be announced in the coming months. Individual tickets are available through ADE’s program, and the ADE Pro Pass is available here.
1996—2026: 30 Years of Driving Electronic Music Forward
Over the past three decades, ADE has grown to become the most influential breeding ground for electronic music; building the framework that helped a new genre to be recognised worldwide as an art form and a thriving business, into what is now an immense global industry. More specials, initiatives and events celebrating 30 Years of ADE will be unveiled throughout the coming months.
About the Amsterdam Dance Event Foundation
The Amsterdam Dance Event Foundation is a not-for-profit organisation dedicated to nurturing electronic music, its culture and its industry worldwide. The organisation devotes itself to stimulating development, innovation and talent, gathering the global industry and laying a foundation for future generations. The Amsterdam Dance Event (ADE), an initiative of Buma, has grown into the world’s largest and most influential club-based festival and conference for electronic music. The event continues to grow and develop each year, featuring over 3,300 artists throughout 1,200+ events in over 200 venues. The five-day event features every conceivable aspect of electronic music culture, with dedicated conference programming, an extensive Arts & Culture programme, live music and DJ/artist performances, all spread across the city of Amsterdam. More information about ADE can be found here.
ADE – Electronic Music Gathers Here
The Amsterdam Dance Event is organised by The Amsterdam Dance Event Foundation.
Founding partner: BumaStemra | Main partner: Heineken
Contact:
For more information or media partnerships, contact Nikki McNeill.
nikki@globalpublicity.co.uk
AGF Launch 'A Greener Live London' During London Climate Action Week
During London Climate Action Week 2026, A Greener Future (AGF) is uniting London's sustainability leaders to highlight the city's pioneering role in driving green innovation and best practice within live events. AGF is the not-for-profit organisation championing sustainability across the live events sector worldwide, for twenty years.
Working across some of the city's most iconic festivals and venues, which have achieved AGF Certification, including ABBA Voyage, American Express present BST Hyde Park, The O2 and OVO Arena Wembley - AGF are at the forefront of London’s greener live future, working hard behind the scenes to make it measurable and scalable.
“Real change is already happening across London’s live sector, supporting the City's ambition to become a leading destination for green events. London Climate Action Week is a good moment to spotlight how London venues and festivals are reducing their impacts and boosting their environments. To the backdrop of another heatwave across the UK, we hope this will inspire others to take action” says AGF Founder and CEO Claire O’Neill.
AGF’s ‘A Greener Live London’ highlights how London's live sector is leading the way when it comes to being a greener city for events, why climate action is important to these iconic places, and what they're doing to protect our environment.
The series covers varied topics including plastic pollution prevention, renewable energy, biodiversity and urban gardens, low emission travel, artists requesting plant based menus, and accessibility.
OVO Arena Wembley’s senior technical manager Tom Miller said the venue's climate commitments are no longer just about principle - they're about survival in an increasingly regulated industry. "As a venue, we are committed to operating as sustainably as possible, with environmental impact factored into our decision-making at every stage. It's something we're not only passionate about as a venue team, but we recognise the importance of this as an industry, too. Taking climate action now strengthens our reputation and aligns us with industry standards, and ensures we remain competitive as regulations and expectations evolve"
Sam Booth, Sustainability Director at AEG International, made clear that sustainability for a venue like The O2 is no longer optional - it's a business imperative. "Our fans want to come and experience a music gig without any guilt associated with it," Booth said. But it isn't just audiences pushing for change. Artists, brand partners, and staff - many of them young and values-driven - are all asking harder questions about the environmental credentials of the venues they work with or support.
Viewers can follow the series and send their suggestions for episodes at @AGreenerFuture_ on social media.
To learn more about the AGF Certification for events, venues and suppliers visit www.agreenerfuture.com
London Climate Week takes place from 20th - 28th June 2026
About AGF
AGF is a not-for-profit company committed to helping the events sector towards sustainability worldwide. AGF provides certification, education & training, consultancy, sustainable event management, and facilitates the exchange and implementation of good ideas. They share best practice for greener events, and how to not only prevent damage but actually enhance the environment. AGF provides independent assessment and verification of sustainability claims through the AGF Certification for festivals, venues, events and suppliers, sustainability diagnosis and detailed carbon footprinting. More info: www.agreenerfuture.com
Contact:
NIkki McNeill | Global Publicity
nikki@globalpublicitry.co.uk
A Greener Future Reveal Festival Insights Across 4 Continents
AGF (A Greener Future) has shared insight into the sustainability actions, initiatives and highlights of festivals in 12 countries across Europe, Asia, North and South America.
Key takeaways from festivals assessed in 2025:
- 94% have a formal sustainable food & beverage policy
- 89% used reusable cups and 85% banned single-use plastic serveware
- 25% were fully powered by mains electricity, and battery usage continues to increase.
A Greener Future (AGF) reveals the festival sustainability trends from events that received the Greener Festival certification in 2025, providing insight into key impact areas such as energy & power, food & drink, waste & recycling, and travel & transport.
AGF assessed 24 festivals from 12 different countries including Austria, United Kingdom, Switzerland, Portugal, Spain, Estonia, the United States, India, and Colombia. The 2025 cohort also included several events taking part in the AGF certification for the first time: the prestigious Montreux Jazz Festival, Cordillera Festival in Colombia, Estonian Fashion Festival, and one of the world’s largest EDM music festivals: Ultra Miami.
The data collected through the certification gives insights into ongoing industry-wide trends and benchmarks for the global festival sector.
The insights demonstrate some encouraging statistics, with 85% of assessed events implementing a complete ban on single-use plastics and the average recycling rate across all festivals assessed was 56%, with 5 festivals achieving a recycling rate of over 70%.
Looking at food & beverage, 94% have a formal sustainable food & beverage policy, with vegan and vegetarian dishes representing on average 53% of all food served. In addition, 17% of festivals were 100% vegetarian or vegan.
The shift to lower-carbon power supply is also notable. A quarter of festivals were run entirely on mains electricity, and there is also a growing use of zero-emission temporary power: 17% indicated having some of their power supplied by on-site renewables or battery systems. While 71% still used generators for some or all of their power, nearly half of them (47%) used 100% HVO instead of diesel.
Claire O’Neill – CEO, A Greener Future: “Festivals are a microcosm of wider societies, and a place where we can do things better. Seeing the continued move away from fossil fuels, plastic, and industrial animal agriculture is very encouraging to see. We hope to see more festivals around the world stepping up to the mark in this summer”
Key Findings by Category:
Travel & Transport
- 92% monitor audience travel
- The average local audience rate across all assessed festivals was 49%
- 29% reported a local audience rate of over 70% (from within the city or region)
- On average, 63% of line ups were made up of domestic talent. A third of festivals recorded a line up consisting of over 70% domestic artists
Food & Beverage
- 17% of festivals are 100% vegetarian or vegan
- 94% have a formal sustainable food & beverage policy
- 89% used reusable cups
- 85% banned single-use plastic serverware
- Vegan and vegetarian dishes represented on average 53% of all food served (by weight), while 30% of dishes served were red-meat based
Power & Fuel Use
- 71% used generators for some or all of their power
- 47% of generator-using festivals used 100% HVO instead of diesel
- The average generator fuel efficiency was 2.1 kWh per litre
- 25% were fully powered by grid electricity
- 17% had over 5% of their power supplied by on-site renewables or battery systems
Waste & Recycling
- The average site recycling rate across all festivals assessed was 56%, with 5 festivals achieving a recycling rate of over 70%.
- The average waste generated per person per day (pppd) was 0.76 kg
- Camping festivals averaged 1.34 kg of waste pppd, while the average for non-camping festivals was nearly 2.5 times lower at 0.51 kg pppd.
Water & Sanitation
- The average recorded water consumption in 2025 was 10 litres pppd
- Camping festivals averaged 16.3 litres of water pppd, while non-camping festivals recorded an average of 6.3 litres pppd
Wider Sustainability
- 87% have an Equality, Diversity and Inclusion policy
- 95% have an environmental and/or sustainability policy
- 58% invest in nature-positive environmental project or carbon removals
- 100% have a dedicated sustainability manager or team
Note: Data based on all AGF 2025 assessed festivals who provided sufficiently complete data for analysis. 24 Festivals Assessed in 2025
Contact:
Nikki McNeill | Global Publicity
nikki@globalpublicity.co.uk
ESNS Announces First Speakers for 2027 Conference Programme
With the international music industry already looking ahead to ESNS27 in Groningen, ESNS (Eurosonic Noorderslag) proudly reveals the first confirmed speakers for its 2027 conference. Bringing together artists, executives, policymakers and innovators from across Europe and beyond, the conference continues to be one of the leading platforms for conversations shaping the future of music.
Spotlight on Ireland
Ireland takes centre stage as the focus country for 2027. By focusing on Ireland, ESNS recognises the country’s strong investment in artists and forward-thinking music infrastructure. Among the special Irish guests already confirmed is Dan Lambert (manager Kneecap). He will unpack what it takes to break a band out of Ireland and achieve international success in today’s global music industry. Also, a panel including Angela Dorgan (First Music Contact) among others will focus on how Irish artists are supported through strategic state investment, such as a basic income for artists. The conversation will explore how this support has helped shape the success of Ireland’s music sector.
Additionally, Eleanor McGuinness (agent at Earth Agency), Will Rolfe (co-founder and booker All Together Now and In The Meadows) and Declan Forde (co-founder Electric Picnic) will take part in a panel discussion on the independent side of Ireland’s live music market, exploring the festivals, events and key players shaping the sector today.
The ESNS Conference is all about bringing people together to share ideas, challenge perspectives and shape the future of music. We're excited to announce the first speakers for ESNS27 and look forward to welcoming the international music industry back to Groningen in January." - Lisa Schoemaker (Head of Conference ESNS)
Music icons and industry leaders
The programme will feature a keynote interview with legendary Dutch guitarist Adrian Vandenberg, celebrating his 50-year career in music. Best known for his work with Vandenberg and as a member for 12 years during the peak period of the iconic rock band Whitesnake, Vandenberg will look back on his remarkable journey through the international rock scene and reflect on five decades of music. Also joining the conference programme is Karin de Groot, CEO of Dutch collective management organisation BumaStemra, and author and founder of Sound Diplomacy, Shain Shapiro who will introduce his upcoming book How Music Can Save the World.
ESNS is also proud to welcome FRÉ (Frederike Berendsen) and LORAL (Laura Overbeeke) of Music Declares Emergency Netherlands, who will present the workshop Your Unique Impact Training. The session explores ways music professionals can create meaningful change within the industry and beyond. In addition, the Country Music Association (CMA) will present a panel discussion on the growth of country music in Europe, how U.S. artists are approaching the European market, and the opportunities for European acts in Nashville, featuring Sina Hall (Promoter of C2C Berlin), and Wouter de Wilde (Greenhouse Talent). On top of that, Max Busin (Founder and CEO Gotobeat) will share insights into the role of data and AI in live music curation.
European discoverability study
One of the programme highlights is the panel debate on the recently published European Commission study Discoverability of Diverse European Cultural Content in the Digital Environment, with the confirmed participation of Martin Clarke, Project Manager at Panteia and research lead in this particular EU study. As streaming platforms and algorithms continue to shape listening habits, discoverability has become one of the music industry’s key challenges. During ESNS, Clarke will present the findings of the highly anticipated Discoverability Report in a discussion with policymakers, researchers, and music industry professionals from across Europe.
"As the music industry continues to evolve, staying connected has never been more important. ESNS offers a unique opportunity for music professionals to exchange ideas, build meaningful connections and explore new opportunities. We look forward to welcoming delegates to Groningen in January as the international music industry comes together once again." - Anna van Nunen (Managing Director ESNS)
About ESNS
ESNS is an independent platform dedicated to showcasing and accelerating European music talent worldwide. Its annual festival and conference will take place from 13-16 January 2027 in Groningen, the Netherlands. Hotel & Delegate Pass deals and Delegate Passes at a Medium Rate are now on sale. Additional hotel rooms will be released on 17 June, providing more accommodation options for delegates. Book early to secure the best available rates.
More conference speakers and programme announcements will follow in the coming months.
ESNS27 Tickets
Registrations for ESNS27 are now available. Purchase a Delegate Pass (at Medium rate) ESNS Delegate Passes include:
✓ Fast-lane access to 250+ showcases
✓ Full access to the ESNS Conference
✓ Networking lounges and hospitality options
✓ Access the ESNS Delegates Database
✓ Access ESNS Analytics for up-to-date artist data
Contact:
Nikki McNeill | Global Publicity
nikki@globalpublicity.co.uk
A Greener Future Win Music & Climate Action Award at 2026 Music Cities Awards
A Greener Future are honoured to be amongst this year’s winners of The Music Cities Awards 2026, recognising outstanding initiatives that use music to drive social, cultural, environmental and economic impact around the world.
Taking home the Music & Climate Action Award, AGF was recognised for its trailblazing work reducing environmental impact across the global live music sector. As founders of the world's first sustainability certification for festivals, AGF has spent two decades reshaping how live events are planned, produced, and delivered—providing independent certification, carbon analysis, and practical net-zero strategies that drive measurable improvement. Their work across over 1,000 festivals, tours, and venues has inspired industry-wide change and embedded ecological responsibility as a core part of live music worldwide.
The awards represented a diverse range of initiatives across multiple continents, demonstrating how music can support community wellbeing, education, tourism, sustainability, nightlife, technology and policy innovation.
Dr Teresa Moore, AGF Director, was there to collect the award and said: “We are hugely honoured to receive this award for Music and Climate Action from Music Cities. It means so much to be recognised by the industry for our work with events and music cities to create real impact.”
Claire O'Neill, AGF CEO and Founder, added "We're really honoured to receive this award because firstly the other nominees were world class, and secondly, we believe that collaboration between cities and cultural events, from festivals to football, is the way forward for an enjoyable and speedy transition to a greener economy and better quality of life."
The Awards Ceremony took place at Hull Minster on 11 June, as part of the Music Cities Convention in Hull. The evening opened with a performance from a 100−person combined choir and brass players from the City of Hull Band, before moving through nine awards across global categories. Hosted by Hull cultural icon and World Living Statue Champion Andy Train, the night was designed to be more than an awards show, with performances from Bongo's Bingo and a closing set from the Minster Choir woven throughout the evening.
View all the 2026 winners here: https://www.musiccitiesevents.com/awards
The Music Cities Awards, presented annually since 2020 by Sound Diplomacy during the Music Cities Convention, celebrate the individuals, organisations and cities redefining how music shapes communities.
About the Music Cities Awards
The Music Cities Awards recognise excellence in music-led city development, celebrating projects and policies that strengthen local ecosystems and position music as a strategic driver of sustainable urban growth.
About A Greener Future
AGF is a not-for-profit company committed to helping events, festivals, and venues around the world towards sustainability. AGF provides certification, education/training, consultancy, resources, and green riders, facilitating the exchange and implementation of good ideas. They share information about how environmentally efficient methods are currently being employed at events and how environmental impact can be limited at future events. They offer independent assessment and verification of sustainability claims through the AGF Certification for festivals, venues, tours, and events; plus, sustainability diagnosis and detailed carbon footprinting. www.agreenerfuture.com
Contact:
Nikki McNeill | Global Publicity
nikki@globalpublicity.co.uk
ESNS26 Leads To Summer Festival Bookings - 256 Shows Confirmed For 115 Artists Across 73 Festivals
European Talent Exchange presents the summer results of 2026, with 256 shows confirmed for 115 European artists from 32 countries at 73 partner festivals across 28 countries. These summer bookings highlight the continued international momentum of Europe’s most promising emerging artists.
Artists showcased at Eurosonic Noorderslag (ESNS) automatically join European Talent Exchange (Exchange), one of the longest-running and most successful platforms of the European Union’s Creative Europe Programme. Coordinated by ESNS, the programme connects emerging artists with a network of around 130 partner festivals across Europe and beyond.
“ESNS has meant a great deal to our career. Suddenly, we’re appearing on posters for top festivals across Europe and having our busiest year ever. The hardest thing for an emerging artist is getting people to listen to your music just once. One listen can be enough to create a lifelong connection with your audience. Thanks to European Talent Exchange, I can offer that first listen to people all over Europe.”- Jelle Denturck (Dressed Like Boys)
ESNS artists continue to build European momentum this summer
Following their breakthrough at ESNS26, artists are now firmly establishing themselves on the European festival circuit. The summer bookings of 2026 show how quickly emerging talent turns showcase performances into international touring opportunities. From Groningen to stages across Europe, Exchange continues to accelerate cross-border careers and increase the visibility of new European music. Among the artists translating their ESNS momentum into confirmed summer festival bookings across Europe are:
Madra Salach (Ireland) has confirmed 16 festival bookings, bringing their distinctive sound to stages across Europe, including festivals such as Beaches Brew (Italy), Haldern Pop Festival (Germany), Pinkpop (The Netherlands), and Roskilde Festival (Denmark), further expanding their growing international presence.
Joshua Idehen (Sweden) has secured 13 festival bookings, with performances at Colours of Ostrava (CZ), OFF Festival Katowice (Poland) and Das Fest (Germany) showcasing his genre-blurring and lyrically powerful live show.
Dove Ellis (Ireland) will play at 10 festivals, such as MS Dockville (Germany), Lowlands (The Netherlands) and Poplar Festival (Italy), bringing his distinctive blend of electronic pop and experimental soundscapes to wider audiences.
Florence Road (Ireland) has confirmed 10 bookings this year, bringing their vibrant, emotionally charged indie sound to festivals such as Primavera Sound (Spain), Rock Werchter (Belgium), Southside Festival (Germany) and Rock en Seine (France), continuing their rapid rise across major European stages.
Dressed Like Boys (Belgium) has confirmed 8 festival performances this year, including appearances at Into The Great Wide Open (The Netherlands), Immergut Festival (Germany) and Sziget (Hungary), further strengthening their position on the European circuit.
GANS (England, UK) was booked at 8 festival performances, bringing their raw, guitar-driven and high-energy sound to stages including Electric Castle (Romania), Frequency Festival (Austria), Les Eurockéennes de Belfort (France) and Ypsigrock Festival (Italy).
Other artists continuing to build strong international momentum this summer include Max Baby (France, 7 bookings), Camille Yembe (Belgium, 2 bookings), Man/Woman/Chainsaw (England, 6 bookings), Min Taka (Netherlands, 5 bookings), Hania Derej (Poland, 2 bookings), Elín Hall (Iceland, 4 bookings), GAIA BANFI (Italy, 4 bookings), FIDJU KITXORA (Portugal, 3 bookings), Mechatok (Germany, 3 bookings) and Jules War (Hungary, 2 bookings), further showcasing the diversity and growing international appeal of emerging European talent. The full and continuously updated list of confirmed shows can be found on Radar.
“We believe festivals are about discovering fresh new music and giving emerging artists the chance to connect with new audiences. Especially in the age of technology and AI, it is crucial to experience these artists live at the beginning of their careers. European Talent Exchange and Eurosonic Noorderslag help us identify some of the most promising acts and see them perform in person.” - Filip Košťálek, Artistic Director of Colours of Ostrava
Festivals backing Europe’s next wave of talent
Across Europe, festivals continue to embrace emerging ESNS talent, confirming artists for their 2026 editions. Confirmations include Rock Werchter (Belgium, 7 bookings), Best Kept Secret (Netherlands, 6 bookings), Primavera Sound (Spain, 3 bookings), OFF Festival Katowice (Poland, 3 bookings), OpenAir St. Gallen (Switzerland, 3 bookings), and Electric Castle (Romania, 4 bookings), underscoring European festivals’ confidence in emerging talent and the role of Exchange in shaping the next generation of headliners. The full overview is available on ESNS Radar.
A collaborative force driving European artists forward
European Talent Exchange continues to thrive through close collaboration with YOUROPE, the European Broadcasting Union (EBU), 31 media partners, 24 members and six associated partners, including 26 export offices. Artists from the United Kingdom are supported by PRS Foundation, while Swiss artists are included with support from Pro Helvetia and Swiss Music Export. With a network of around 130 partner festivals, the programme remains one of the strongest structural support systems for emerging European artists building international visibility.
About ESNS
ESNS is an independent platform dedicated to showcasing and accelerating European music talent worldwide. Its annual festival and conference will take place from 13-16 January 2027 in Groningen, the Netherlands. ESNS27 will shine a spotlight on Ireland as its official focus country, highlighting the diversity and strength of emerging Irish music talent and the country’s forward-thinking support infrastructure for artists. Hotel & Delegate Pass deals and Delegate Passes at a Medium Rate are now on sale. Get yours now to secure the best available deal.
Contact
Nikki McNeill | Global Publicity nikki@globalpublicity.co.uk
Electronic Music Icons ORBITAL Join Brighton Music Conference To Complete 2026 Line Up
-Over 240 industry-leading professionals taking part in panels and workshops
-Expanded programme across 4 theatres offering more value for delegates
-Keynote interviews with ORBITAL, Dave Seaman and Greg Wilson
-Multiple networking events at Brighton’s best loved seafront venues
Brighton Music Conference (BMC), the UK’s leading electronic music and networking event confirm electronic music icons ORBITAL for keynote interview completing the line up for its 2026 edition, alongside top local and international artists including Andy Barlow (Lamb), Alan Fitzpatrick, Anja Schneider, Angie Brown, Arielle Free, Beardyman, Brandon Block,, Coco Cole, Dave Seaman, Denis Sulta, Dykes on Decks, Greg Wilson, Irvine Welsh, Jemma Bolt (DISCOLISCIOUS), Jess Bays, JFB, Jumpin Jack Frost, Just Her, Kenny Dope (Masters At Work), Lisa Maffia, Madame Electrifie, Saytek, Solah, The Shapeshifters, Tom Middleton, Wideboys, Wildblood & Queenie and many more.
Taking place from 20th to 23rd May 2026, the award-winning event will once again take over some of Brighton’s best-loved seafront venues set against the backdrop of Brighton beach and the iconic pier, with a packed programme of insightful talks, workshops and networking events.
BMC, is the place to keep up to date with the latest industry trends and best practices, build and grow your network, make new connections, and immerse yourself in all things related to the electronic music scene and culture. Taking place across 4 theatres, BMC has a packed programme of insightful talks, workshops with plenty of practical tips and takeaways.
Theatre 1 - Wellbeing programme
The expanded well-being programme will have a dedicated space to discuss important topics such as Burnout, Imposter Syndrome, Neurodiversity, Mental Health, Sobriety, Sustainability, Suicide Prevention, Mixing Kids & Music and much more with Yoga and Soundbaths to start each day. Supported by Anderson Acoustics, the well-being theatre will be hosted at one of Brighton’s best-loved seafront venues the Tempest with speakers including; Angie Brown, Anne Savage, Brandon Block, Charlie Forbes (A Greener Future), Denis Sulta, Finlay Johnson (AFEM), Jono Heale (ACS), Ines Martinez (Four Venues), Jumpin Jack Frost, Just Her (Crosstown Rebels/LNOE), Laura Hine (Tinnitus UK), Martha Cleary (GLOW), Phil Hartnoll (ORBITAL), Sally Freeman (Eat Sleep Rave Relax), Silvia Montello (Voicebox Consulting), Tom Middleton, Werkha (Saturama) and Wildblood & Queenie.
Theatre 2 - Workshops with pointblank music school
The workshop theatre returns in collaboration with pointblank at Players, featuring in depth educational workshops covering practical topics such as Social Media, Track Production, Vocal Production, DJ Tips & Tricks, Immersive Audio with Dolby Atmos, Virtual Reality and more. Interactive sessions will be led by Beardyman, Grahame Farmer, Huxley, Madison True (Vinyl Bitch / MADDØG), Ramin Rezaie, Mr Bristow, Saytek, Ski Oakenfull, AlphaTheta, Kiffix, Loopmaters and Technics to name a few.
Theatre 3 - DJ / Producer programme
The DJ producer theatre at Horizon, will cover a wide range of topics including A&R, Artist Development, Vocals, Song Writing Camps, Representation, DIY, Radio, Podcasts and a Keynote Interviews with ORBITAL and Dave Seaman (Brothers in Rhythm / Selador). Plus the ever-popular DJ, Producer and Promoter Q&A’s and celebrating milestones with special sessions to celebrate 30 Years Of Hospital Records and 50 years of Greg Wilson. Speakers include; Abigail Bailey, Andy Barlow (Lamb), Anja Schneider, Arielle Free (BBC Radio 1), Ben Gill (Block Events), Booker T, Chris Goss (Hospital Records), Coco Cole, Emily Dust, Irvine Welsh, Greg Wilson, Jemma Bolt (DISCOLISCIOUS), Jess Bays (Capital Dance), Lisa Maffia, Madame Electrifie, Marvin Aloys (Addicted Room/Sound Escape), Matt Jam Lamont, Mickey Jukes (1BTN), Molly Johnson (Believe/Sentric), Rhys Baker (Tru Thoughts), Scott Diaz, Seamus Haji (Big Love), Seb Fowkes (Concorde2), The Shapeshifters and Yulia Niko (Beatport Music Curator).
Theatre 4 - Industry programme in collaboration with Skiddle
Theatre 4, in collaboration with Skiddle, will take place at Carousels, covering music industry and business topics such as Label Contracts, Publishing Deals, Sync, Music Rights, PR, Label Q&A with Armada, Ticketing, AI, NTIA Electronic Music Report the Annual Beatport Hour and much more. Industry professionals sharing their knowledge across the two days include; Alan Fitzpatrick (DJ & Producer), Alex Branson (Beatport), Aly Gillani (Bandcamp), Ashley Howard (PRS for Music), Clara Suess (Suess Media), Dean Marsh (Creative Law), Duncan King (Skiddle), Dujon Fairweather (Listen Up), Emma Cordwell (Downtown), Emile Birks (Beatport), Gemma Farrington (Sentric), Jason Ellis (Armada Music), Jules O’Riordan AKA Judge Jules, Lee Morrison (rightsHUB), Michael Kill (NTIA), Millie Ellenger (Frame Artists), Rebecca Cribb (ITV/Love Island), Pete Jordan (LWE/AMAAD), Robert Luis (Tru Thoughts), Sam Spencer (Broadwick Live), Shamus Damani (Defected), Trina Smith (Sourcery Collective) and Vicky Taylor (Truelove).
Networking - Build and Grow Your Network
Networking is a big part of the BMC ethos and there are plenty of opportunities to meet industry colleagues and connect with like-minded people at the numerous networking parties at some of Brighton’s best-loved venues. Whether you’re an artist, promoter, agent or manager - this is where the industry comes together. Build real relationships that can open doors for your career.
The BMC official welcome party will kick things off at The Tempest on Wednesday 20th May with DJ’s Banxi, Chad Jackson, Pete Bones, Ralf Kollmann and Ridney. On Thursday 21st May the shesaid.so Brighton team will host their annual breakfast club networking event at the Lazy Finn with the opportunity to network and get a professional headshot. The infamous Hotel Pelirocco will host the PRS Networking event, with Elemental Music and R-Trybe at Ohso and Jack Said What taking over The Tempest. On Friday 22nd May Grahame Farmer will host his popular Blueprint Breakfast at the Lazy Finn, NTIA will host a mixer at the Tempest and the official BMC After Party at Volks. View all events here: https://www.brightonmusicconference.co.uk/bmc26-mixers-events/
All confirmed artists and speakers (In alphabetical order):
Ad Savage (Sync Savage), Abbie Humphries (Tileyard), Abi Flynn, Abi Lemon (The Brilliance Effect), Abigail Bailey, Alan Fitzpatrick, Alex Berry & Lebby (Dykes on Decks), Alex Branson (Beatport), Aly Gillani (Bandcamp), Amy Jayne (LabelWorx), Andthen, Andrea Borgato, Andy Barlow (Lamb), Andy Melchior (Genotone Ltd / Massive Attack / Björk's producer), Angie Brown, Anja Schneider, Anna Johnson (Climate Transition Strategist), Anne Savage (DJ, PhD Researcher), Antonia Lucas, Antonia Lucas (Love Vocals & SoundMind), Arielle Free (BBC Radio 1), Ashley Howard (PRS for Music), Ashton Hawthorne-Somers, Bakkis, BAKKIS, Banxi, Becky Wixon, Ben Gill (Block Events), Ben Godwin, Ben Malone (Armada Music), Ben Price (PRS), Bex White (Yoga teacher), Bizzle Osikoya (The Plug), Bobbie Johnson, Bobby Harvey (Armada / Skint / Universal-Island), Booker T, Brandon Block, Camille Forey (Copyright Manager at Warp Publishing), Carl Loben (DJ Mag), Charlie Forbes (A Greener Future), Carly Sharman (Skiddle), Chad Jackson, Charlotte De Vega (Material Music), Cherub Sanson (Sound Healer), Chris Bailey (The Boy in the Corner), Chris Carey (FFWD), Chris Goss (Hospital Records), Chris Hampshire (Recoverworld Label Group), Clara Suess (Suess Media), Christabel Heasman-Cossins, Ceylan Göksel (Creative Publishing / Songs In The Key Of Knife / Hospital Records), Damian Harris (Vicious Charm), Danny J Lewis, Dave Seaman (Selador / Brothers in Rhythm), Dean Marsh (Creative Law), DEED, Deep Fiktion, Denis Sulta, Denise Devonish, DJ MJ (Back2House Events), DJ Shanaz, Dr. Fabrice Bardy (Hearing neuroscientist), Dr Fiona Miller, Dr Rachel Gow, RNutr, FHEA, Dujon Fairweather (Listen Up), Duncan King (Skiddle), Eddie Craig (Wideboys), Ellie Talebian (DJ / Radio Presenter), Emile Birks (Beatport), Emily Dust (x Radio 1 / 1Xtra producer), Emma Cordwell (Downtown), Dr Emma Greenland (Anderson Acoustics), Eva Lazarus, Eve Horne (We Are The Unheard CIC), Fancyshews!, Finlay Johnson (AFEM), Gemma Farrington (Sentric), Gemma Fox (Fox Music Consultancy), General Legsta, Grace George (Beatport), Grahame Farmer, Graham Sahara (Sahara Music Group/Electronic Nature), Greg Wilson, Hannah Deeble (Arts Council), Hema Patel (Reset & Rediscover), Huxley, Ines Martinez (Four Venues), Irvine Welsh, Jack Lawrenson (Xelon Digital), Jamaica Rose (Armada Music), James Lee (Electrowerkz / Club Suzies), Jamie Unknown (Armada Music), Jasmine Reeder (CTRLFRK), Jason Ellis (Armada Music), Jemma Bolt (DISCOLISCIOUS), Jenny Jen, Jerome Prud'Homme (Volks), Jess Bays (Capital Dance), J Felix, Jill Wheeler (Redeye Worldwide), Joel Sumerling (Strategic Music Management), Jon Carter, Jono Heale (ACS), Joshua “Satch” Satchell (SongTeller/Transpose), Jules Cameron (Bad JuJu), Jules O’Riordan AKA Judge Jules (Global DJ / Lawyer, Sound Advice), Julian Fyson (Musician, DJ, Sound Bath Facilitator), Julie Freeman (Sonoform), Just Her (Crosstown Rebels / LNOE), Kag Katumba (R&S Records), Kameron Addington-Dzenyo (Duetti), Kayleigh Ramchand-Bentley, Keira Forrest (EoC), Kenny Dope (Masters at Work), Kevin da Costa (Brighton Vinyl), Kirk Field (author), Kit Rice, Kit Wardle (Beat Blocks Haptic Flooring), KuraZana ((Sound Alchemist, DJ, Yoga Teacher), Laura Hine (Tinnitus UK), Laurie Oliva (Help Musicians), Lawrie Dunster (Curve Pusher), Lee Morrison (rightsHUB), Leon La Rosa (Select Radio), Lewis Sinclair (Cygnus), Lex Luca (OpenDAW), Lisa Horan, Lisa Maffia, Lizzie Curious, LOLA (SIZE), Luvain, Lucy Johnson (Vinyl Press UK), Lynda Phoenix (Beatport), Maddy Salvage (VP A&R Ninja Tune), Made By Pete, Madame Electrifie, Madison True (Vinyl Bitch / MADDØG), Maiken Silverup (Theodore), Malena Wolfer (Pockets Agency), Mandy Salem-Aubry (MSA Music Services), Marc Carey (Evovinyl), Mark Milsted (Phoenix Business Management), Maria Picard (Noux), Martha Cleary (GLOW), Marvin Aloys (Addicted Room / Sound Escape), Matt (Breathe), Matt Jam Lamont, Matt Lally (Hospital Records), Matt Rouse (House Culture), Max Noir (Tru Thoughts), MEERA, Michael Kill (NTIA), Mickey Jukes (1BTN), Mikee Hollywood, Millie Ellenger (Frame Artists, Milly on Air (Back 2 Life), Mini Da Minx, Molly Johnson (Believe / Sentric), Mr Bristow, Myles Clarke, Nathan X, Neil Kemp, Nickelle (Nervous Records), Nikki Belle (Mousse T 'Horny'), Nikki McNeill (Global Publicity), NOLAN (Bedrock/Mobilee), Oliver Night (Tru Thoughts), Omnia Elashmawi (Loopcloud), Pete Bones, Pete Jordan (LWE/AMAAD), Peter Piper (Overview Music), PEYTON (Milk & Sugar / Revival Records), Phil Hartnoll (ORBITAL), POoK (Red Giant Recordings), Promo Zo, Queen B (Z Records), Radu Munteanu (onlygoodpeople), Ralf Kollmann (mobilee), Ramin Rezaie, Rebecca Cribb (ITV / Love Island), Renegade Soundwave, Revival House Project, Rob Made (MuseMe.ai), Rhys Baker (Tru Thoughts), Ridney, Rob Anderson (AlphaTheta), Robert Luis (Tru Thoughts), Rosie Stephens (Media Arts Lab), Roxanne Oak (Relationship Manager / PPL), Sally Freeman (Eat Sleep Rave Relax), Sam Spencer (Broadwick Live), Sami Qureshi (AlphaTheta), Savannah, SAVSSOUNDS (ALTVERSE), Saytek, Scarlett Langdon (Gal Pals), Scott Diaz, Seamus Haji (Big Love), Seb Fowkes (Concorde2), Shamus Damani (Defected), Shanae Dennis (The Team), Shillin', Silvia Montello (Voicebox), Simon Mitchell, Simon Tillotson (Neighbourhood PR), Ski Oakenfull, Solah, Sophia Wardman, Sophie Lloyd (Classic Music Company), Stefanie Baron (Technics), Steve Mac, Stijn Versteeg (Armada Music), Stuart Knight (Toolroom/Fools Paradise), Sunita Dhaliwal (The Everyday Agency), Susanne Hazendonk (Armada Music), Suzanna Dee, Tammy Tinawi (Yoga teacher), The House Poet (Michael Grierson), Tim Cullen, Tom Cane (A Work In Progress), Tom Middleton, Toni Tambourine (Tambo PR), Treasa Hayes (Hospital Records), Trevor McNamee (Jalapeno Records), Trina Smith (Sourcery Collective), Vanessa Thomas (Soul of the City Choir), Vicky Devine, Vicky Taylor (Truelove), Viva Soul, Werkha (Saturama), Wildblood & Queenie, Xandice Armah (Gal Pals), Yulia Niko (Beatport Music Curator).
Speakers from companies including:
1BTN, A Greener Future, ACS, AFEM, AlphaTheta, Anderson Acoustics, Armada Music, Arts Council, Bandcamp, BBC Radio 1, Beatport, Believe, Big Love, Block Events, Brighton Vinyl, Broadwick Live, Capital Dance, Concorde, Creative Law, Data Transmission, Defected, DISCOLISCIOUS, Downtown, Duetti, Eat Sleep Rave Relax, Electrowerkz, Evovinyl, FFWD, Four Venues, Frame Artists, GLOW, Global Publicity, Help Musicians, Hospital Records, ITV / Love Island, Kiffix, LabelWorx, Listen Up, Loopcloud, Loopmasters, LWE/AMAAD, Media Arts Lab, mobilee, MSA Music Services, MuseMe.ai, Nervous Records, Neighbourhood PR, Ninja Tune, NTIA, OpenDAW, pointblank, PPL, PRS for Music, rightsHUB, Select Radio, Selador, Sentric, shesaid.so SIZE, Skiddle, Sonoform, Sound Advice, Sourcery Collective, Suess Media, Technics, The Brilliance Effect, The Everyday Agency, The Plug, The Team, Tinnitus UK, Toolroom, Tru Thoughts, Truelove Music Publishing, Vinyl Press UK, Voicebox, Volks, Warp Publishing, We Are The Unheard CIC, Xelon.
View full programme on the BMC website: www.brightonmusicconference.co.uk
BMC - Where Beats Means Business
BMC Tickets
BMC26 professional pass are on sale now for £175 + b/f
Buy tickets here: https://www.brightonmusicconference.co.uk/buy-tickets/
Notes to Editors:
For more info and press accreditations, please contact Nikki McNeill | Global Publicity
nikki@globalpublicity.co.uk
Download photos from BMC 2025 here
Please credit photographer where information is given.
About Brighton Music Conference
The award-winning Brighton Music Conference (BMC) is the UK's leading electronic music conference & networking event, focusing on innovation, education & the key issues facing the electronic dance music sector. BMC brings together Industry-leading delegates and speakers at over 60 talks, seminars and workshops, alongside networking events throughout the conference duration. It is attended by 1000s of experienced music industry professionals, the next generation of DJs, producers as well as electronic music enthusiasts.
BMC was also awarded by the NTIA at the Ambassadors of the Night Awards 2019 for their work and commitment to developing awareness and education of the UK Electronic Music Scene internationally within the NTE.
BMC also supports the charity Last Night A DJ Saved My Life.
1 In 3 Can’t Afford A Night Out: Despite 85% Of 18-35 Year Old’s Backing Nightlife As Costs And Taxes Bite
Young people still want to go out, but cost of living pressures and rising costs are shutting them out. Britain’s young people haven’t fallen out of love with going out, they’ve been priced out of it. New research from the Night Time Industries Association (NTIA) and Obsurvant firmly challenges the narrative that younger generations are turning away from nightlife.
Demand is not disappearing, it is being suppressed.
Young people continue to value nightlife as a vital part of their social lives, culture and identity. They still want to go out, connect, experience music and participate in the Night Time Economy and Hospitality sector.
But the reality is increasingly clear: for many, the ability to do so is being limited by cost.
A GENERATION PRICED OUT
The data paints a stark picture:
-1 in 3 lower earners say going out is now unaffordable
-68% of young people say economic conditions have reduced how often they go out
-53% are spending less on nightlife than a year ago
What was once a regular part of life is increasingly becoming an occasional luxury.
DEMAND IS STRONG — BUT ACCESS IS SHRINKING
Despite widespread commentary about changing habits or declining alcohol consumption, the data tells a different story.
85% of 18–24-year-olds and 86% of 25–34-year-olds say they would be influenced by political support for the Night Time Economy and Hospitality - underlining just how important the sector remains.
This is not a generation opting out. It is a generation being forced to scale back.
Across the board, young people report reductions in spend, shorter dwell time, and less frequent visits, not because they want to, but because they have to.
The cost of daily living, from rent and energy to food and transport, is placing enormous pressure on disposable income. At the same time, rising operating costs and taxation across the sector are pushing up the price of going out, from entry fees and transport to drinks and accommodation.
The result is clear:
Demand remains strong — but participation is being squeezed.
POLITICIANS NOT KEEPING UP
While politicians continue to talk about putting money back into people’s pockets, the lived experience for young people tells a different story.
-Only 29% believe the Night Time Economy and Hospitality sector is well supported
-Three quarters of people say policy in this area would influence how they vote
Young people are clear about what matters to them — but there is a growing sense that their priorities are not being heard.
Michael Kill, CEO of the Night Time Industries Association, said:
“This report completely debunks the myth that young people don’t want to go out. Demand is clearly there, what’s disappearing is affordability. Young people are under huge pressure from the cost of daily living, while rising costs and taxation are driving up the price of a night out, not through a drive to increase profit or greed, but purely to keep businesses afloat.
They are cutting back not by choice, but by necessity. At the same time, many feel politics doesn’t speak their language or reflect what matters to them. If this continues, we risk alienating a generation and undermining the future of our sector.”
Theo Dominian, Research Strategy Lead, Obsurvant said:
“This second wave of Navigating the Night builds on the foundations laid in Q4 2025, continuing the tracking research while adding new data, new depth, and a clearer view of where the industry stands heading further into a year that has started with immense macro challenges.
The core findings on behaviour, affordability, safety and government support continue to build the picture of a sector under strain, particularly for lower-income consumers, for whom the cost & transport logistics of a night out have become genuinely prohibitive.
This report also shows the importance of the night-time economy to voters, with support for the industry, and the impact of a Purple Flag pledge, influencing people’s voting intention. This is especially true among young people and shows the significant role that night-time economy policies play in shaping electoral behaviour.”
MORE THAN JUST A NIGHT OUT
The Night Time Economy and Hospitality sector is not just about leisure.
It underpins jobs, fuels the UK’s world-leading creative industries, and provides essential spaces for social connection, wellbeing and cultural expression.
But without intervention, access risks becoming increasingly limited — undermining both the sector and the communities it supports.
CALL FOR ACTION
The NTIA is calling for urgent action to:
-Address the cost of living pressures facing young people
-Reduce the tax and cost burden impacting the Night Time Economy and Hospitality
-Support venues and operators across the sector
-Improve late-night transport and safety
-Recognise the sector’s role in economic growth and cultural life
The message is clear:
-Young people haven’t stopped wanting to go out.
-They haven’t lost interest in nightlife.
-They are being priced out of it.
And with millions of votes at stake, it’s a reality politicians can no longer afford to ignore.
Notes to Editors:
Download full report here: https://www.dropbox.com/scl/fo/ybug4vieyaish3rde1pqj/APLuFpvBFbQsy-AQogD_KVw?rlkey=5zhk9zk9qp3pry0r8g10z7df6&st=z9fww7p6&dl=0
Earth Day - Global Festivals Prove Being Green Works
On Earth Day, A Greener Future (AGF), the not-for-profit company dedicated to making the live event sector sustainable, highlights how festivals are leading the way on green initiatives with innovative solutions that are cost-effective and reduce emissions.
While Earth Day is a time for reflection, the global events industry is already taking action and making progress. From energy and food to infrastructure and travel, festivals around the world are implementing strategies to reduce their environmental impact. Smashing the narrative that being green costs more and that plant-based menus won’t work, festivals are the catalyst for the transition that is much needed in the events industry and the world at large.
According to Claire O’Neill, festival sustainability expert and co-founder of AGF: “Festivals are a great place to experience and explore new (and old) ways of doing things. From water to energy to biodiversity restoration, when done well, festivals showcase more sustainable alternatives.”
Festivals proving that being green works…
Primavera Sound, Spain – Improving energy efficiency at scale
Maximising energy efficiency and using a power source that has the lowest impact on the environment is something many events aim to achieve. Primavera Sound is focused on improving its energy efficiency by reinforcing electrification and optimising battery use and fuel consumption in generator sets.
To achieve this, they will expand the areas and/or equipment supplied by the main electricity grid; limit the power supplied to catering outlets, ensuring it is truly aligned with actual consumption needs; review the design of the generator installation to standardise usage; and review the design of the battery installation to maximise its effectiveness and efficiency.
Paradise City, Belgium – Shifting food culture towards lower-impact choices
What we eat and drink is significant when it comes to sustainability, with a third of global emissions coming from food and agriculture, as well as the biodiversity and human health impacts, not to mention animal cruelty.
One of the most talked about sessions at the recent Green Events & Innovations Conference was Beyond The Burger Van: How Festivals Like Paradise City are Serving Sustainable Futures, where the food curator for Paradise City Group, Petra Daniëls, gave insights into providing plant-based menus at festivals.
“As science proves, we should all eat more plant-based foods, both for the planet and for our own health. Unfortunately, these options are not easy to find at events. There are often not many vegetarian or vegan options, or they are presented incorrectly,” says Petra. “To implement a sustainable policy as a food manager, you need the support of your team and your boss. Events are still organisations that need to make a profit. So it is also important to demonstrate that sustainable options are still profitable.”
Petra’s five top tips
1) Require caterers to include at least 1 vegetarian or vegan option on each menu.
2) This dish should be at the top of the menu, with the meat dish at the bottom.
3) The meat dish should always be more expensive.
4) Drastically reduce your carbon footprint by no longer offering beef and lamb. Chicken and pork have a much smaller impact.
5) Communication is key: avoid using the words “vegetarian” or “vegan” in the description of the dish. Be creative. “Field-grown lasagna al forno” sounds much sexier than “vegan lasagna.” By normalising these dishes, they won’t seem unusual or extreme.
Seeing healthy and environmentally friendly dishes become the norm, rather than being offered as a “strange” alternative, would be a game-changer at festivals this summer.
“We must not forget that we, as the events sector, can have a major impact,” Petra adds. “After all, we reach thousands of people in a short space of time. And we can introduce them to good food in a positive way, encouraging them to choose less meat. And with Paradise City festival, we are proving that you can go completely plant-based without shouting about it, and the public will love it.”
DGTL, The Netherlands – Putting travel & mobility at the heart of festival planning
Transport is one of the biggest culprits for many temporary events. With the transportation of audiences, production crew, artists, and the production itself still staggeringly carbon-heavy, event managers are adopting practices that reduce their carbon footprint while still delivering the party.
DGTL, a recent AGF International awards winner, has a detailed mobility plan, clear KPIs, and robust monitoring, backed by a strategically central location that enables most attendees to arrive by public transport (including extra ferries), by bike, or on foot, with no dedicated visitor parking.
From booking more local artists and contributing to Sustainable Aviation Fuel to consolidating freight and shifting on-site vehicles towards electric and renewable fuels, DGTL proves that an ambitious mobility transformation is possible without compromising the experience for the audience.
Ultra Festival, USA – Rethinking how stages are powered
Event power is a hot topic in the realm of sustainability and also a hotbed for innovation. Ultra Music Festival’s award-winning sustainability programme, Mission: Home, made history this year by being the first major electronic music festival in the US to power a large-scale stage with zero-emission batteries.
As electronic music continues to shape global festival culture, Ultra’s move signals an important evolution for the genre’s largest events – demonstrating that high-energy production and environmental responsibility can go hand in hand.
Mission: Home teamed up with REVERB’s Music Decarbonization Project, Showpower, and CES Power to use a SmartGrid battery system on the RESISTANCE Cove Stage. Showpower’s SmartGrid™ Battery System is charged using existing grid infrastructure, creating no on-site emissions.
“Each year, we push ourselves to think bigger, and this next chapter reflects how collaboration, innovation, and culture are coming together to create lasting impact,” reports Vivian Belzaguy Hunter, Ultra’s sustainability director.
The expansion of emission-free stages at Ultra arrives as a welcome driver of Mission: Home’s unstoppable momentum. Last year, the festival became the first US-based event of its scale in more than a decade to earn A Greener Future’s prestigious Greener Festival certification and was the only US festival nominated for an International AGF Award.
All Points East, UK – Improving waste management through on-site sorting
All Points East has implemented a dedicated on-site waste-sorting facility designed to better understand and improve how waste is managed at events.
Constructed using repurposed materials found onsite, the facility allowed teams to efficiently sort waste collected from across the festival. Front-of-house bins captured mixed waste, recycling, and vapes, while back-of-house processes ensured the separation of glass and food waste from traders, who used strictly 100% compostable serveware.
The festival also powered their stage using Grid Faeries x Ecotricity 3 MWh battery system powered by grid energy from the wind and the sun.
Green Gathering, UK – Embedding permaculture into festival life
Green Gathering has been championing green events and sustainability practices for years and is at the forefront of innovations.
Through its long-running Field Families area, the festival brings permaculture principles to life, showing how sustainable living can be practical, creative, and community-driven. Permaculture offers a framework for designing low-impact systems that work with nature, supporting how we produce food, use energy, and build shared spaces. At Green Gathering, this is translated into real, hands-on experience for its audience.
Since 1998, Field Families has been a core part of the festival, sharing knowledge and skills through dedicated workshop spaces. From growing food and preserving it, to exploring community models and low-impact living, the programme demonstrates how these ideas can be applied in everyday life.
The event now features three permaculture workshop spaces: Earth Care, People Care, and Fair Shares. There's an area dedicated to building with earth; Dr Bike myth-busts bike maintenance; plus the now famous Free Shop – where clothes, bedding, and other random items are offered for free.
This is a valuable reminder that festivals can go beyond reducing impact to become spaces where entirely different ways of living are explored and experienced. Travel, food, and materials are among the most impactful areas when it comes to event sustainability, and these examples reflect a wider shift across the industry, where sustainability is becoming standard practice.
Contact
Nikki McNeill | Global Publicity
Nikki@globalpublicity.co.uk
Brighton Music Conference 2026 Announce Second Wave of Names
BRIGHTON MUSIC CONFERENCE 2026 ANNOUNCE SECOND WAVE OF NAMES
Brighton Music Conference (BMC), the UK’s leading electronic music and networking event reveals the second wave of names, as the line up takes shape for its 2026 edition with over 200 speakers and artists confirmed.
Taking place from 20th to 23rd May 2026, the award-winning event will once again take over some of Brighton’s best-loved seafront venues set against the backdrop of Brighton beach and the iconic pier, with a packed programme of insightful talks, workshops and networking events.
Over 100 newly confirmed artists and speakers have been added to the programme including, Abigail Bailey, Alan Fitzpatrick, Andy Barlow (Lamb), Angie Brown, Brandon Block, Coco Cole, Denis Sulta, Dykes on Decks, Gal Pals, Greg Wilson, Irvine Welsh, Jon Carter, Madame Electrifie, Nathan X, Solah and many more.
Over 200 artists and speakers are now confirmed for the BMC 2026 edition with more to be announced. Previoulsy announced names include Anja Schneider, Anne Savage, Arielle Free, Beardyman, Booker T, Carly Wilford, Dave Seaman, Huxley, Jess Bays, Judge Jules, Judy Griffith (fabric), Just Her, Jumpin Jack Frost, Kenny Dope (Masters At Work), Matt Jam Lamont, Phil Hartnoll (ORBITAL), Ralf Kollmann (mobilee), Robert Luis, Saytek, Scott Diaz, Ski Oakenfull, Tom Middleton, Wideboys, Wildblood & Queenie and many more.
BMC is the place to keep up to date with the latest industry trends and best practices, build and grow your network, make new connections, and immerse yourself in all things related to the electronic music scene and culture. Taking place across 4 theatres, BMC has a packed programme of insightful talks, workshops with plenty of practical tips and takeaways.
Theatre 1 - Wellbeing programme
After the successful launch of the well-being programme last year, BMC will once again have a dedicated space to discuss important topics such as Burnout, Imposter Syndrome, Neurodiversity, Mental Health, Sobriety, Parenting & Djing and much more with Yoga and Soundbaths to start each day. Supported by Anderson Acoustics, the well-being theatre will be hosted at one of Brighton’s best-loved seafront venues the Tempest with speakers including; Angie Brown, Anne Savage, Brandon Block, Denis Sulta, Emma Cordell (Downtown), Finlay Johnson (AFEM), Jono Heale (ACS), Ines Martinez, Jumpin Jack Frost, Just Her (Crosstown Rebels/LNOE), Laura Hine (Tinnitus UK), Martha Cleary (GLOW), Phil Hartnoll (ORBITAL), Sally Freeman (Eat Sleep Rave Relax), Tom Middleton and Wildblood & Queenie.
Theatre 2 - Workshops with pointblank
The workshop theatre returns in collaboration with pointblank at Players, featuring in depth educational workshops covering practical topics such as Social Media, Track Production, Vocal Production, DJ Tips & Tricks, Immersive Audio, Virtual Reality and more. Interactive sessions will be led by Beardyman, Grahame Farmer, Huxley, Saytek, Ski Oakenfull, AlphaTheta, Loopmaters and Technics to name a few.
Theatre 3 - DJ / Producer programme
The DJ producer theatre at Horizon, will cover a wide range of topics including Artist Development, Vocals, Writing Camps, Representation, DIY, Radio, Getting Signed, Podcasts and a Keynote Interview with Dave Seaman (Brothers in Rhythm / Selador). Plus the ever-popular DJ, Producer and Promoter Q&A’s and celebrating milestones with special sessions to celebrate 30 Years Of Hospital Records and 50 years of Greg Wilson. Speakers include; Abigail Bailey, Andy Barlow (Lamb), Anja Schneider, Arielle Free (BBC Radio 1), Booker T, Chris Goss (Hospital Records), Coco Cole, Emily Dust, Irvine Welsh, Greg Wilson, Jess Bays (Capital Dance), Madame Electrifie, Matt Jam Lamont, Molly Johnson (Believe / Sentric), Scott Diaz, Seamus Haji (Big Love), Seb Fowkes (Concorde2) and Yulia Niko (Beatport Music Curator).
Theatre 4 - Industry programme in collaboration with Skiddle
Theatre 4, in collaboration with Skiddle, will take place at The Carousels, covering music industry and business topics such as Label Contracts, Publishing Deals, Sync, Music Rights, PR, Label Q&A, Ticketing, AI, NTIA Electronic Music Report and the Annual Beatport Hour and much more. Industry professionals sharing their knowledge across the two days include; Alan Fitzpatrick (DJ & Producer), Aly Gillani (Bandcamp), Clara Suess (Suess Media), Dean Marsh (Creative Law), Duncan King (Skiddle), Dujon Fairweather (Listen UP), Emma Cordwell (Downtown), Emile Birks (Beatport), Gemma Farrington (Sentric), Jason Ellis (Armada Music), Jules O’Riordan AKA Judge Jules, Judy Griffith (fabric), Rebecca Cribb (ITV / Love Island), Robert Luis (Tru Thoughts), Sam Spencer (Broadwick Live), Shamus Damani (Defected), Silvia Montello (Voicebox Consulting), Simon Tillotson (Neighbourhood PR) and Trina Smith (Sourcery Collective).
Networking - Build and Grow Your Network
Networking is a big part of the BMC ethos and there are plenty of opportunities to meet industry colleagues and connect with like-minded people at the numerous networking parties at some of Brighton’s best-loved venues. Whether you’re an artist, promoter, agent or manager - this is where the industry comes together. Build real relationships that can open doors for your career.
The BMC official welcome party will kick things off at The Tempest on Wednesday 20th May with DJ’s Banxi, Chad Jackson, Pete Bones, Ralf Kollmann and Ridney. On Thursday 21st May the shesaid.so Brighton team will host their annual breakfast club networking event at the Lazy Finn with the opportunity to network and get a professional headshot. The infamous Hotel Pelirocco will host the PRS Networking event, with Elemental Music and R-Trybe at Ohso and Jack Said What taking over The Tempest. On Friday 22nd May Grahame Farmer will host his popular Blueprint Breakfast at the Lazy Finn, NTIA will host a mixer at the Tempest and the official BMC After Party at Volks. View all events here: https://www.brightonmusicconference.co.uk/bmc26-mixers-events/
Second wave of names announced;
Abigail Bailey, Ad Savage, Alan Fitzpatrick, Alex Berry & Lebby (Dykes on Decks), Alex Branson (Beatport), Andthen, Andy Barlow (Lamb), Amy Jayne (LabelWorx), Angie Brown, Antonia Lucas (Love Vocals & SoundMind), Ashton Hawthorne-Somers, Bakkis, Banxi, Becky Wicks, Ben Godwin, Bex White (Yoga teacher), Bobby Harvey (Armada / Skint / Universal-Island), Brandon Block, Carl Loben (DJ Mag), Ceylan Goksel, Chad Jackson, Chris Hampshire (Recoverworld Label Group), Clara Suess (Suess Media), DEED, Deep Fiktion, Denise Devonish, Denis Sulta, DJ MJ, Dujon Fairweather (Listen UP), Duncan King (Skiddle), Emma Greenland (Anderson Acoustics), Eve Horne (We Are The Unheard CIC), Fancyshews! Fiona Miller, Grace George (Beatport), Greg Wilson, Hema Patel, Irvine Welsh, Jack Lawrenson (Xelon Digital), Jamaica Rose (Armada), James Lee (Electrowerkz / Club Suzies), Jasmine Reeder (CTRLFRK), Jason Ellis (Armada Music), Jill Wheeler (Redeye Worldwide), Jon Carter, Julie Freeman (Sonoform), KAG, Kayleigh Ramchand-Bentley, Keira Forrest (EoC), KuraZana, Laura Hine (Tinnitus UK), Lee Morrison (rightsHUB), Leon La Rosa (Select Radio), Lizzie Curious, Luvain, Lucy Johnson (Vinyl Press UK), Lynda Phoenix, Madame Electrifie, Madison True (Vinyl Bitch / MADDØG), Malena Wolfer (Pockets Agency), Martha Cleary (GLOW), Matt Lally (Hospital Records), Matt (Breathe), Matt Rouse (House Culture), Marvin Aloys (Addicted Room / Sound Escape), Mikee Hollywood, Milly on Air (Back 2 Life), Myles Clarke, Nathan X, Neil Kemp, Nickelle (Nervous Records), Nikki McNeill (Global Publicity), NOLAN (Bedrock/Mobilee), Peter Piper (Overview Music), Pete Bones, PEYTON (Milk & Sugar / Revival Records), Queen B (Z Records), Radu Munteanu (onlygoodpeople), Ramim Razaie, Renegade Soundwave, Revival House Project, Ridney, Rob Anderson (AlphaTheta), Rosie Stephens (Media Arts Lab), Sam Spencer (Broadwick Live), Savannah, Scarlett Langdon (Gal Pals), Simon Mitchell, Simon Tillotson (Neighbourhood PR), Solah, Steve Mac, Stijn Versteeg (Armada Music), Sunita Dhaliwal (The Everyday Agency), Suzanna Dee, Susanne Hazendonk (Armada Music), Tammy Tinawi (Yoga teacher), The House Poet (Michael Grierson), Treasa Hayes (Hospital Records), Vanessa Thomas (Soul of the City Choir), Vicky Devine, Will Whisson, Xandice Armah (Gal Pals).
View full programme on the BMC website: www.brightonmusicconference.co.uk
BMC - Where Beats Means Business
BMC Tickets
Earlybird tickets are on sale now for £175 + b/f
Buy tickets here: https://www.brightonmusicconference.co.uk/buy-tickets/
Notes to Editors:
For more info and press accreditations, please contact Nikki McNeill | Global Publicity
nikki@globalpublicity.co.uk
Download photos from BMC 2025 here
Please credit photographer where information is given.
About Brighton Music Conference
The award-winning Brighton Music Conference (BMC) is the UK's leading electronic music conference & networking event, focusing on innovation, education & the key issues facing the electronic dance music sector. BMC brings together Industry-leading delegates and speakers at over 60 talks, seminars and workshops, alongside networking events throughout the conference duration. It is attended by 1000s of experienced music industry professionals, the next generation of DJs, producers as well as electronic music enthusiasts.
BMC was also awarded by the NTIA at the Ambassadors of the Night Awards 2019 for their work and commitment to developing awareness and education of the UK Electronic Music Scene internationally within the NTE.
BMC also supports the charity Last Night A DJ Saved My Life.